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Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
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Game of Spades


Stephen Carradini January 12th, 2011

Since Junebug Spade experiments with rock music, we experimented with the interview, turning it into a vinyl scavenger hunt. They played a good hand.

Directed by Sundance-approved Oklahoma filmmaker Sterlin Harjo, the video for metro-based experimental rock quartet Junebug Spade’s “Under the Gun” shows guitarist and vocalist Peter Seay II playing in a variety of unusual locations: a Laundromat, a junk store, a room lined with mattresses and various front steps.

So when I told Seay that we’d be meeting at Guestroom Records’ Oklahoma City location for an interview, it must not have fazed him.

He brought along bassist Kyle Mayfield — formerly a member of Corban Eldra and Uglysuit, and current member of O Fidelis — who probably wasn’t surprised, either, seeing as we nearly won a Bison Witches Bar & Deli trivia contest the last time I interviewed him, as part of O Fidelis.

But the location wasn’t the only curveball: “So,” I said, “when I ask a question, you guys are only going to answer in the form of albums.”

“I was going to do that anyway,” Seay said.

“Good! Here’s your first question: Where are you from, musically or otherwise?” “Well, I’m from —” “No, no. Go get an album to answer it.”

“Oh,” Seay and Mayfield said simultaneously. They both scurried off into the rows at Guestroom to find an appropriate answer. Mayfield raised Broken Social Scene’s “You Forgot It in People” and beckoned me over.

“I’m English and Canadian,” he said, “and this is one of my favorite bands of all time. Favorite albums of all time. Changed my life.”

He put it back down, then turned back to the stacks, where Seay was searching fruitlessly.

“It’s not here right now,” he said, “but Oasis’ ‘Definitely Maybe’ is where I’m from. That album is in my blood. That album is everything that made me say, “That’s what I want to do.”

He turned and spotted something on the wall, then gestured wildly toward it.

“Oh, my God, there’s the other album right there!” Seay said, rushing over to Rolling Stones’ “Exile on Main St.,” which was on display on the back wall. “This is like the midpoint. ‘Definitely Maybe’ is the beginning, and this is the middle. This is like where I’m from as far as music.

“So what’s one of your hobbies that has nothing to do with music?” I asked.

Seay glanced south at a copy of Van Halen’s “Diver Down.”

“Scuba diving is my … I wish I could say that. I got this, I got this,” he said, ambling off and soon returning. “I got this. Right here. ‘Paul’s Boutique’ by Beastie Boys. I like to junk-shop. I’ve actually been to Paul’s Boutique on the Lower East Side. That’s the first record I bought, in ’86, when I was a kid. Tells you how old I am.”

He put it back, as I threw out my next question: “What’s a funny Junebug Spade story you’ve got?” They both spread out to look for things. Using an Elliott Smith record as his starting point, Mayfield told a rambling tale that includes two costumed Beetlejuices and Luke Wilson’s character from “The Royal Tenenbaums.”

Mayfield and Seay then collaborated in looking for a disc with a lamp on the cover, but found nothing.

“Good album right here: Cypress Hill, ‘Black Sunday.’ ‘Hits from a Bong’ is a great song,” Seay said. “That’s ridiculous, because I’ve mentioned two albums that sample a bong.

That’s ridiculous.

He kept rummaging, and eventually held up a copy of Nirvana’s “Nevermind,” pointing to its iconic cover art of a nude infant swimming toward paper currency.

“I’ve been in so many shitty bands.

I played for a dollar once. We signed it,” he said. “It is signed and framed. I have been that baby going for that dollar.”

Mayfield laughed at a find in the CD racks.

“We should answer ‘Creed’ for the next question, no matter what it is,” he said.

“Whom do you admire, performance-wise?” I asked.

Mayfield held up “Weathered” by Creed. Seay headed to the vinyl section at the back of the store and pointed to a Velvet Underground record.

“They had a creative live performance,” he said. “We’re starting to use projectors, like they did. Just simple ideas, nothing over-the-top.”

As Mayfield started to talk about The Non and The Appleseed Cast, Seay was thumbing through at a stack of CDs way off in a corner.

“Sweet!” he said. “We’ve sold some CDs!” I asked my final question: “What’s something you want to buy?” “You mean something I’m gonna buy that I shouldn’t?” Seay said. “Brian Eno, ‘Here Come the Warm Jets.’ He’s very influential to a lot of people. Lot of people cover it. It’s an album that a lot of people overlook. But I’m not buying that because it’s the Japanese version!” “Probably ‘Brothers’ by The Black Keys,” said Mayfield.

Game over, I shook hands with both Spade members, and headed out to my car to play my own purchase from Guestroom. (“Graceland.” Paul Simon.)

 
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