Thursday 31 Jul

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday


113 N. Crawford Ave., Norman



07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.



07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Downtown Tulsa 

07/22/2014 | Comments 0
Home · Articles · Reviews · Indie · Wye Oak — Civilian

Wye Oak — Civilian

Indie-rock mood pieces that don't bore

Stephen Carradini January 18th, 2011

It is helpful to consider Wye Oak in terms of punctuation.

Their previous releases have been full of concrete songs, made up of very definable riffs and melodies. They were the equivalent of a period, and even sometimes an exclamation point (especially live). “Civilian,” their new album out March 8 on Merge, is much more of an ellipsis. Songs are fluid and less defined, with the point being less singing along and more sharing a mood with the listener.

Considered in this light, “Civilian” is a total success: it puts the listener in a pensive, languorous state that would be best paired with a rainy, lazy summer afternoon and a porch hammock.

If you’re looking for more songs like the epic “I Hope You Die” off “My Neighbor/My Creator,” you’re going to categorize this album as a total failure. There are no go-for-the-throat pop melodies here. That’s not what Wye Oak was trying to do with this album, and they successfully accomplish making no ditties. You will not sing along to any of these songs, with the possible exception of “Holy Holy.” Even that’s a stretch, though; the melody is purposefully disjointed when it could be smoothed out. They are seeking other pastures than pop here.

And, as previously noted, it works well. The band is able to sustain a mood without lapsing into repetition or boring the listener, which usually constitute the two-headed beast that devours mood pieces like “Civilian.” Instead, they keep the mood through a consistent guitar mood and Jenn Wasner’s unique vocal timbre. The rhythms, patterns and structures bend and fade, but the guitar and the voice remain similar enough that the album hangs together.

This is a bit of a left turn for the band, and it depends on your point of view whether it’s a step forward or back. There are people who will pine for big pop payoffs, while others will celebrate songwriting maturity. I fall in both camps: I’m sad this album isn’t full of a dozen immediately arresting tracks like “My Creator,” but now I’ve got a solid batch of tunes to look forward to when the rains dampen summer.  —Stephen Carradini

  • Currently 3.5/5 Stars.
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