Thursday 17 Apr
 
 

Odyssey of the mind

Jacob Fred Jazz Odyssey 

with Culture Cinematic and ADDverse Effects

9 p.m. Friday

Twisted Root Gallery

3012 N. Walker Ave.

twistedrootgallery.com

208-4288

$10

04/16/2014 | Comments 0

Frndz with benefits

Boyfrndz with Bored Wax and The Hitt Boyz

9 p.m. Sunday

Blue Note Lounge

2408 N. Robinson Ave.

thebluenotelounge.com

600-1166

$5

04/16/2014 | Comments 0

Saddle up

Horse Thief with Deerpeople and Pageantry

8:30 p.m. Friday

ACM@UCO Performance Lab

329 E. Sheridan Ave.

acm-uco.com

974-4700

$5-$8

04/16/2014 | Comments 0

High heaven

Glow God with Weed, Feral Future and Power Pyramid

7 p.m. Friday

Capitol House

$5

04/09/2014 | Comments 0

Darkened tones

Chevelle with Nothing More and Middle Class Rut

6:30 p.m. Monday

Diamond Ballroom

8001 S. Eastern Ave.

diamondballroom.net

677-9169

$24-$29

04/09/2014 | Comments 0
Home · Articles · CDs · Indie · Wye Oak — Civilian
Indie
 

Wye Oak — Civilian


Indie-rock mood pieces that don't bore

Stephen Carradini January 18th, 2011

It is helpful to consider Wye Oak in terms of punctuation.

Their previous releases have been full of concrete songs, made up of very definable riffs and melodies. They were the equivalent of a period, and even sometimes an exclamation point (especially live). “Civilian,” their new album out March 8 on Merge, is much more of an ellipsis. Songs are fluid and less defined, with the point being less singing along and more sharing a mood with the listener.

Considered in this light, “Civilian” is a total success: it puts the listener in a pensive, languorous state that would be best paired with a rainy, lazy summer afternoon and a porch hammock.

If you’re looking for more songs like the epic “I Hope You Die” off “My Neighbor/My Creator,” you’re going to categorize this album as a total failure. There are no go-for-the-throat pop melodies here. That’s not what Wye Oak was trying to do with this album, and they successfully accomplish making no ditties. You will not sing along to any of these songs, with the possible exception of “Holy Holy.” Even that’s a stretch, though; the melody is purposefully disjointed when it could be smoothed out. They are seeking other pastures than pop here.

And, as previously noted, it works well. The band is able to sustain a mood without lapsing into repetition or boring the listener, which usually constitute the two-headed beast that devours mood pieces like “Civilian.” Instead, they keep the mood through a consistent guitar mood and Jenn Wasner’s unique vocal timbre. The rhythms, patterns and structures bend and fade, but the guitar and the voice remain similar enough that the album hangs together.

This is a bit of a left turn for the band, and it depends on your point of view whether it’s a step forward or back. There are people who will pine for big pop payoffs, while others will celebrate songwriting maturity. I fall in both camps: I’m sad this album isn’t full of a dozen immediately arresting tracks like “My Creator,” but now I’ve got a solid batch of tunes to look forward to when the rains dampen summer.  —Stephen Carradini

 
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