Friday 25 Jul
 
 

Escape from Tomorrow

With Escape from Tomorrow, one fears the story behind the movie would loom larger than the movie itself. Luckily, that is not the case. After all, it opens with a decapitation on Disney World’s Big Thunder Mountain Railroad roller coaster.
05/06/2014 | Comments 0

Sorcerer

William Friedkin spends a lot of time in his 2013 memoir discussing why Sorcerer didn't click with critics and audiences even though he believes it to be better than his previous film, The Exorcist. Now that Warner Home Video has reissued Sorcerer on Blu-ray, we can see what Friedkin's fuss is all about.
04/23/2014 | Comments 0

Broadchurch: The Complete First Season

Welcome to the coastal resort of Broadchurch, population … oh, who can keep track, what will all the corpses? Yes, Broadchurch is yet another British television procedural involving the search for a murderer in a quaint little town, just like the limited series The Fall and Top of the Lake.
04/23/2014 | Comments 0

Paranormal Activity: The Marked Ones

Essentially part five in the ridiculously profitable horror franchise, Paranormal Activity: The Marked Ones continues the found-footage conceit of the other films. The difference is instead of the scares taking place in rich white suburbia, they do so in a junky apartment complex on a largely Latino side of Oxnard, Calif.
04/23/2014 | Comments 0

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0
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The Mechanic


Jason Statham. You know the rest.

Rod Lott February 2nd, 2011

Whether “The Transporter” or now “The Mechanic,” Jason Statham has one job in Hollywood, but he does it quite well: being cinema’s most reliable action star of the 21st century.

Fresh from this summer’s all-star “The Expendables,” Statham takes over Charles Bronson’s role from the 1972 “Mechanic” as Arthur, the title’s hit man for hire who is ordered to off his wealthy mentor (Donald Sutherland, TV’s “The Pillars of the Earth”) and then, feeling guilty, takes the man’s destitute son, Steve (Ben Foster, “Pandorum”), under his wing.

Forever poisoning his body with intoxicants, Steve takes to the assassination game like kids to candy, yet is so eager — trigger-happy, perhaps — to channel his thirst for revenge that he doesn’t always adhere to Arthur’s strict rules.

Steve’s brazen nature, of course, is to the betterment of the film, which comes alive in set pieces of violence so seemingly real, the audience can feel it. Best among them is a hotelset sequence in which their target is a corpulent, corrupt televangelist hooked on ketamine, and the situation calls for rather unique improvisation.

After an iffy start, “The Mechanic” finds its footing, however frowning. Without wasting any more time, it plays in the 1970s sandbox of the crime films of Bronson, Clint Eastwood and their ilk, when the screen was as dirty as the evil that men do. How much of this version’s grime is the intent of director Simon West (“When a Stranger Calls”) or just a case of bad projection remains in question until this hits DVD. I suspect most audiences will wait until then to see “The Mechanic” at work.

If they have any love for The Stath, they shouldn’t.

 
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