Tuesday 18 Jun
 
 

New Zoo revue

As the bitter battle over management of the Zoo Amphitheatre played out in public last summer, Oklahoma City music fans may have worried whether the outdoor venue at 2011 N.E. 50th would be open for business this summer.
06/12/2013 | Comments 0

Howard stern

Music always has been in Howard Pollack’s blood — maybe not onstage, but definitely behind the scenes.
06/12/2013 | Comments 0

Graves encounters

Shakey Graves with Wild Child and Marmalakes
10:30 p.m. Thursday
The Blue Door
2805 N. McKinley
bluedoorokc.com
524-0738
$15
06/12/2013 | Comments 0

Vulgar incident

Vulgar Fashion with Depth & Current and Quilted Cherry Podium
8 p.m. Friday
Opolis
113 N. Crawford, Norman
opolis.org
820-0951
free
06/12/2013 | Comments 0

Music Made Me: Laura Leighe

Boyz II Men, II (1994)
I believe this was the first CD that I bought with my own allowance at Duncan’s local music store. It’s another really fun, soulful album — vocally, harmonically, musically outstanding. I remember lying on my bedroom floor and studying the lyrics, mesmerized for hours. I loved the singles, but my favorites were the opening track, “Thank You,” and the last track, their gorgeous, soul-grabbing rendition of The Beatles’ “Yesterday.” I was just learning about harmony at the time, and loved listening to their rich, thick, beautiful sound.
06/11/2013 | Comments 0
Home · Articles · CDs · Rock · Social Distortion — Hard Times and...
Rock

Social Distortion — Hard Times and Nursery Rhymes


Still relevant, 32 years later

Stephen Carradini February 3rd, 2011

On one hand, Social Distortion’s “Hard Times and Nursery Rhymes” is a solid, workman-like set of Southern California punk tunes with three gems.

socialdistortion

On the other, the fact that a 32-year-old band is writing relevant music is kind of amazing and deserves more props than the first line gave it.

I suppose it matters if you’ve heard Social Distortion before: If you’re a fan of their music, “Hard Times” will be nothing but exciting to you. New listeners may not be converted.

After hard-charging instrumental opener “Road Zombie,” Social Distortion launches into “California (Hustle and Flow),” which is straight-up, vintage/timeless, snotty SoCal punk. It could have appeared in 1993 and no one would have blinked. The vocal sneer, the guitar work, the mood; they’re all perfect.

“Gimme the Sweet Lowdown” throws down the best melody of the set; all the modifiers from the previous two sentences apply here, too. The gospel-tinged, hard-luck, slow-burner “Bakersfield” is driven as much by piano and organ as guitar, and those instrumental choices are two of the few nods to the ‘00s contained here.

The rest of the tunes are par for the course. If you like SoCal, you’ll dig it. If not, you won’t.

It’s worth noting that Mike Ness’ voice doesn’t show any signs of having broken down (at least on this recording). The sneer’s tone is still perfectly matched to the music, and that’s what sells this album. If people are swayed to liking Social Distortion for the first time, it will be on the strength of his still-excellent vocals.
 
Rare is the band that can put out relevant music after three decades in the same genre in which it started. Social Distortion is one of them, and that’s awesome. “Gimme the Sweet Lowdown” is worth anyone’s time, regardless of listener age; can we say that about anything on The Go-Gos’ latest? —Stephen Carradini

 
  • Currently 3.5/5 Stars.
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