Wednesday 16 May
 
 

The Black Jack Gypsys — 3:1

Oklahoma City trio The Black Jack Gypsys doesn’t engage in any rock ’n’ roll posturing in its debut EP, 3:1. It’s the real deal.

05/16/2012 | Comments 0

Parker Millsap and Michael Rose — Palisade

Fledgling singer-songwriter and Purcell native Parker Millsap builds quite a foundation with stand-up bassist Michael Rose on their debut, Palisade. From the sounds of it, a monumental career is in the works.
05/09/2012 | Comments 0

Admirals — Admirals

With its self-titled debut EP, it’s not hard to see Stillwater rock outfit Admirals wears its influences on its sleeve.
05/02/2012 | Comments 0

JD McPherson — Signs & Signifiers

If anybody in Oklahoma is most likely to capitalize on wide-audience distribution right now, it must be Broken Arrow’s R&B-flavored rocker JD McPherson, whose debut album, Signs & Signifiers, was re-released last week by Rounder Records.
04/25/2012 | Comments 0

Double R — Dr. Digital

If I had to guess what field of medicine Moore-based rapper Double R (of Purple Mouth Bandits) had in mind for Dr. Digital, I’d have to go with psychiatry. Frankly, this album is pretty crazy.
04/04/2012 | Comments 0
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Such great Heights


On the heels of ‘Skeletons,’ emo rockers Hawthorne Heights strip their songs down to the bone for an acoustic tour.

Stephen Carradini February 9th, 2011  

Hawthorne Heights with Will Loomis, Dalton Joe, Mighty Big Fire and Found in Atlases
6 p.m. Monday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$10

JT Woodruff, lead singer of Hawthorne Heights, loves Bruce Springsteen’s work. And not just the anthem-laden albums, which would make sense, as Hawthorne Heights have been playing their own soaring, pounding rock songs for 10 years.

Nope, he’s a fan of The Boss’ “The Promise,” a 2010 collection of B-sides from the “Darkness at the Edge of Town” sessions, and 1982’s “Nebraska,” a stark, intimate, acoustic record.

Woodruff and company are working to make songs from their four albums sound more like “Nebraska,” as they embark on their first-ever acoustic tour. Furious rockers and acoustic ballads alike will get the stripped-down treatment, as the act strives to “create new opportunities.”

“We could do another tour like we’ve always done, or we could do something we’ve never done and that our fans will appreciate,” Woodruff said. “Maybe it will work, maybe it won’t.”

Although last year’s “Skeletons” had several songs that feature acoustic guitars heavily, those tunes weren’t the impetus for the new tour. Hawthorne Heights just wanted to do it in general.

“A lot of times, you can’t play those songs. They drag a mood down,” Woodruff said. “There will be no loud, blaring guitars and drums to hide behind. It’ll be intimate. I hope you’ll hear all the fans singing along.”

With the smaller venues that Hawthorne Heights will hit on this tour, that intimacy will be possible. The group knows that experience won’t extend to all its fans, however.

“Some people will be turned off immediately because it’s not a rock show,” Woodruff said, noting the release of “Nebraska,” a departure from Springsteen’s signature sound. “If we did that, it wouldn’t be like that. People would say, ‘Why is this acoustic?’” For those who wouldn’t wonder such things, Hawthorne Heights will show them Monday at The Conservatory.

“It’s a lot cooler to play a small club with a couple of chairs and a couple of mics, to see everything going on. I love the small venues, because it’s so personal. You get to see your favorite bands and meet your favorite bands. There’s no hiding behind anything; you discover a different side of everybody,” Woodruff said.

That different side, he promised, will be on full display.

“We’ll play a good amount off ‘Skeletons,’ a good, long, extended set,” he said. “It puts us out of our comfort zone. And it will be hard, but we’re musicians, and this is what we do for a living. You gotta push your boundaries a bit.”

Although many of the songs will sound very different than their electric counterparts, Woodruff isn’t concerned with labels placed on the tracks.

“Good songs have no genre,” he said. “A good song is exactly that.” —Stephen Carradini

 
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