Sunday 19 May
 
 

God bless metal

Becoming the Archetype with Bermuda, The Burial, Horror Cosmic and Veil of Suffering
6 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12-$14
05/15/2013 | Comments 0

Here for the party

Gretchen Wilson with Outlaw Son
6 p.m. Thursday
Newcastle Casino
2457 U.S. 62, Newcastle
mynewcastlecasino.com
387-6013
free
05/15/2013 | Comments 0

Bright stripes

Tiger High with Cosmonauts and The Garden
10 p.m. Monday
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$5
05/15/2013 | Comments 0

Reverb brotherhood

Basile Benefit Bash with The True Believers, The Fortune Tellers, The Reverb Brothers, DJ Jon Mooneyham and more
9 p.m. Friday-Saturday
VZD’s Restaurant & Club
4200 N. Western
vzds.com
524-4203
$20 Friday, $10 Saturday
05/15/2013 | Comments 0

Back to basics

O Fidelis with Chelsey Cope
9 p.m. Thursday
Wormy Dog Saloon
311 E. Sheridan
wormydog.com
601-6276
free
05/08/2013 | Comments 0
Home · Articles · CDs · Indie · Ruby Coast — Whatever This Is
Indie

Ruby Coast — Whatever This Is


Do you like Tokyo Police Club?

Stephen Carradini February 10th, 2011

So, there’s a band. It has a particular sound that’s unique. People love that sound and love that band. Then another band comes along, sounding exactly the same as the first band, but writing just as good, if not better, songs than the first band.

rubycoast

Does the first band get considered merely an innovator and put behind the new band? Does the new band get considered copycats, even though they’re doing it as well or better?

This is the problem in reviewing Ruby Coast’s “Whatever This Is”: It sounds exactly like a Tokyo Police Club album. I mean, down to the very tone of the singer. It goes even deeper than sound. They’re from the same area (Toronto). They sing about similar things in similar ways (i.e. singing didactically to an abstracted “you”). THE BANDS EVEN KIND OF LOOK THE SAME. OK, exaggerating that last point.

But seriously, if you play a Tokyo Police Club track next to a Ruby Coast track, you can’t tell the difference. Über-perky melodies. Specific rhythmic guitar tone. Warm bass tone. Herky-jerky verses into smoothed out choruses (or vice versa). The aforementioned creepy resemblance in the two vocalists, whether singing, hollering or falsettoing. This is the sound of both bands.

And, to be honest, I enjoy listening to “Whatever This Is” in the same way and amount that I loved TPC’s 2010 release, “Champ.” This is one review where comparing to another band isn’t a cop-out; it’s a necessity.

“Made to Change” pulls off the mid-tempo anthem memorably, infusing it with just the right amount of adrenaline (but tempered with the right amount of twinkly guitar work). “Liza Liza” pulls the whole “rapidly strum acoustic guitar, hit kick drum repeatedly” trick and makes it work because of the strength of the vocals. “I Live With Monsters” lets the keyboards do their thing, and it produces a burbling, exciting track. “Dr. Acula” puts a marimba to great use. “Creep Me Out” is magnificent, with its whistling/drums intro and exuberant guitar work.

There are so few differences between these two bands that it’s hard to do a “who’s better” comparison. It just feels like different albums from the same source. “Whatever This Is” by Ruby Coast is an exciting, affecting album that will appeal to anyone who likes pop melodies, sparkling arrangements and young enthusiasm. And/or Tokyo Police Club. Pick it up for free. —Stephen Carradini

 
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