Friday 25 Jul

Escape from Tomorrow

With Escape from Tomorrow, one fears the story behind the movie would loom larger than the movie itself. Luckily, that is not the case. After all, it opens with a decapitation on Disney World’s Big Thunder Mountain Railroad roller coaster.
05/06/2014 | Comments 0


William Friedkin spends a lot of time in his 2013 memoir discussing why Sorcerer didn't click with critics and audiences even though he believes it to be better than his previous film, The Exorcist. Now that Warner Home Video has reissued Sorcerer on Blu-ray, we can see what Friedkin's fuss is all about.
04/23/2014 | Comments 0

Broadchurch: The Complete First Season

Welcome to the coastal resort of Broadchurch, population … oh, who can keep track, what will all the corpses? Yes, Broadchurch is yet another British television procedural involving the search for a murderer in a quaint little town, just like the limited series The Fall and Top of the Lake.
04/23/2014 | Comments 0

Paranormal Activity: The Marked Ones

Essentially part five in the ridiculously profitable horror franchise, Paranormal Activity: The Marked Ones continues the found-footage conceit of the other films. The difference is instead of the scares taking place in rich white suburbia, they do so in a junky apartment complex on a largely Latino side of Oxnard, Calif.
04/23/2014 | Comments 0

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0
Home · Articles · Movies · Comedy · Barney's Version

Barney's Version

Enjoyable, but nothing spectacular

Rod Lott February 16th, 2011

At last month’s Golden Globes, when Paul Giamatti won Best Performance by an Actor in a Motion Picture — Musical or Comedy for “Barney’s Version,” you, too, may have asked, “What the hell is ‘Barney’s Version’?”

Opening Friday at AMC Quail Springs Mall 24, it’s a Canadian film based on Mordecai Richler’s 1997 novel, detailing the entire adulthood of Barney Panofsky (Giamatti, TV’s “John Adams”), who, despite being wildly successful as a soap-opera producer, fails spectacularly in his personal life. It takes him three marriages to get it right, and even then, he manages to screw it up.

“You wear your heart on your sleeve, Barney,” says his first wife (Rachelle Lefevre, “The Twilight Saga: New Moon”). “Put it away. It’s disgusting.”

For most of the time, the film is so amiable that audiences are apt to overlook its faults, primarily of trying to tell so much story that it ends up saying so little. Giamatti is likable, even when Barney is not; his failures are played comically, especially when Dustin Hoffman shows up as his filterless father, and the middle stretch that details Barney’s second marriage to a spoiled Jewish princess (Minnie Driver, “Conviction”). Their union is doomed from the start, considering that at their reception, Barney meets the woman of his dreams (a splendid Rosamund Pike, “Made in Dagenham”) and asks her to run away with him.

An otherwise enjoyable movie does an about-face for its final 30 minutes (of an overlong 134), suddenly cranking its notch to “melodrama” and milking the theatrics as it were a Lifetime disease-of-the-week premiere. At that point, director Richard J. Lewis ditches the humor and subtlety, losing a firm grip he never regains.

  • Currently 3.5/5 Stars.
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