Wednesday 16 Apr
 
 

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
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Home · Articles · Music · Music · Sticky situation
Music
 

Sticky situation


How does a band follow backlash? Internet sensation Tapes ’n Tapes ended its label deal and went back to the basics: the music.

Joshua Boydston February 16th, 2011

Tapes ’n Tapes with Oberhofer
9 p.m. Tuesday
Opolis
113 N. Crawford, Norman
opolis.org, 820-0951
$15

With the 2000s came a new trend: blog bands. These were acts that came out of nowhere, riding a wave of buzz built solely by music blogs.

But with the quick rise came the inevitable backlash, and the poster child for that unenviable situation is Tapes ’n Tapes, the indie-rock fourpiece that performs Tuesday at Opolis in Norman. After self-releasing “The Loon,” the Minneapolis group’s positive reviews and Pavement comparisons led to shows with the likes of Spoon and The Black Keys, along with a record deal from XL Recordings.

Whether or not Tapes ’n Tapes succumbed to the sophomore slump with “Walk It Off,” doesn’t matter, because people already acted as if they had. Blogs dismissed the quartet as a flash in the pan. Tapes ’n Tapes shrugged off the claims and soldiered on.

“We could worry about the past and try and analyze it, but we were really fortunate,” front man Josh Grier said. “We just want to make music and have people listen to it, and blogs opened that up.”

Not that the guys are appreciative of the “blog band” label.

“I just think it’s a pigeonhole term,” Grier said. “I don’t think anything is black and white ... so when people call us a blog band, I think it seems silly. We were a band long before any blog wrote about us, and we’ll be a band long after any blog cares about us.”

They are now taking steps to put that in the past, focusing on music and doing it on their terms. Partly for a fresh start and partly because it didn’t need the connection anymore, Tapes ’n Tapes cut ties with XL to continue forward as independent artists.

“We were at a crossroads, and we knew we had to make a decision. There was always a possibility of doing things on our own again, so the first step was knowing we just wanted to make another record. After we were done with that on our own, the next logical step was to just release it on our own,” Grier said. “It’s a risk putting things out on your own. You are the one responsible for the financial situation behind it, and you can’t put failures on anybody else.”

Looks as if there is no need to place blame; the group’s third album, “Outside,” came out in January and has been a resounding success. With Tapes ’n Tapes being revered for live shows, many fans claim the band managed to bottle its jangly, infectious energy with the new disc.

“It was a focus while we were recording: keeping things light and relaxed; having a positive, good vibe in the studio; and that overflowed into us,” Grier said. “We were capturing more of us in that way, putting a lot of feel into what we were playing.”

The tides are turning — bloggers be damned — and the guys are looking forward to a long career of doing things for themselves, by themselves.

“I’m proud of how much we’ve done on our own,” Grier said. “We can make our own timetables and make the decisions we think are best for us, and that’s the thing that excites me the most. To be able to execute without it conflicting with someone else’s plan … that’s exciting.”

 
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