Tuesday 21 May
 
 

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0
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Music

Wonder woman


Texas native Carolyn Wonderland lives for playing the blues. Just don’t ask her to fly.

C.G. Niebank February 16th, 2011  

Carolyn Wonderland
9 p.m. Saturday
Oklahoma City Limits, 4801 S. Eastern
oclimits.com, 619-3939
$10

Many people might regard television-based talent competitions as a fast and convenient route to fame and fortune, but Austin, Texas-based blues singer/ guitarist Carolyn Wonderland has doubts about the value of such career shortcuts.

“I have an aversion to music as a competitive sport,” she said. “So I’m definitely one of those anti-‘American Idol’ kind of people. You know what? Go out and play it in clubs for 30 years and then let me hear ya.”

Wonderland, playing Saturday at Oklahoma City Limits, grew up in a musical household. Her mother sang with a band and plays guitar, while her grandmother played fiddle and taught her to play piano. After being loaned a cornet from an aunts, Wonderland taught herself to play trumpet.

“I cannot remember a time without either listening to or playing music,” she said.

By the time she was 15, she was gigging regularly with a band at Fitzgerald’s, a live music club in Houston that has hosted such music legends as Stevie Ray Vaughan, James Brown and Tina Turner.

More recently, Wonderland derives inspiration for her songwriting from many directions.

“Oftentimes, songs will show up while I’m driving, and I just have to wait till I get somewhere to write them down,” she said. “Sometimes, they show up in a dream, like ‘The Farmer Song’ was a guy in overalls standing there, playing a banjo, singing it to me, so I woke up and wrote it down.”

In 1999, Wonderland moved to Austin, where she appeared regularly at Antone’s and lived in her van, partly out of convenience; by then, she was playing as many as 300 shows a year.

Although she has been a frequent traveler for a long time, her experiences with airlines have soured her on flying to gigs.

“We so prefer driving,” Wonderland said with a laugh. “Any chance we get to not be on an airplane, we’ll take. I hate the way I’m treated. I guess I look like a stoner guitar player. Now, every time I get on a plane, I think, ‘Is my guitar gonna make it?’ I’ve bought a seat for my guitar, and it even has frequentflier miles, and they still refused to seat it at one point, and I got off the plane and said, ‘Well, I guess I’m driving to Cleveland — awesome!’” Wonderland chuckled as she described a recent airport experience, when her outspokenness collided with the intimate aspects of new “enhanced” search policies, as a female Transportation Security Administration screener began running her hands over Wonderland’s body.

“I have a big mouth, and these new touch-you-in-spots-you’re-notsupposed-to-be-touched rules really, really caught me off-guard,” she said. “My hands were up over my head and I blurted out, ‘Whoa, that’s fucking ridiculous.’ I didn’t slap her hand away — I stopped myself before I touched her — and as soon as I realized I let the F-word out of my mouth, I saw the police walking toward me, and I thought, ‘Aw, man, I’m not gonna catch this flight.’”

 
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