Wednesday 22 May
 
 

Iron Aidan

Aidan Carroll Quartet
7 p.m. Wednesday, May 29
University of Central Oklahoma Jazz Lab
100 E. Fifth, Edmond
ucojazzlab.com
359-7989
$5-$7
05/22/2013 | Comments 0

Beat street

Lucky Date with Kids at the Bar and Crystal Vision
9 p.m. Wednesday, May 29
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$20
05/22/2013 | Comments 0

Sun rises

Sunny Side Up with The Last Slice and Classy San Diego
8 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$8
05/22/2013 | Comments 0

God bless metal

Becoming the Archetype with Bermuda, The Burial, Horror Cosmic and Veil of Suffering
6 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12-$14
05/15/2013 | Comments 0

Here for the party

Gretchen Wilson with Outlaw Son
6 p.m. Thursday
Newcastle Casino
2457 U.S. 62, Newcastle
mynewcastlecasino.com
387-6013
free
05/15/2013 | Comments 0
Home · Articles · CDs · Indie · The Caribbean — Discontinued...
Indie

The Caribbean — Discontinued Perfume


Bizarre, experimental, sort-of indie-pop for adults

Stephen Carradini February 22nd, 2011

Any album that starts off with a song called “Thank You for Talking to Me About Israel” is not going to be your average disc.

thecaribbean

The Caribbean’s “Discontinued Perfume” certainly follows up on their opening-track promise with a bizarre sort-of indie-pop album that is not recommended for those of short attention spans.

It helps that The Caribbean lay out their mission statement on the cover of the album, as part of the art: “’Discontinued Perfume’ seems to be about living a strong, practical, grown up life and being comfortable with leaving that world and accepting the unknowable.” In short: adult music.

If you’re still trucking along at this point, you’re in for a trip. “Discontinued Perfume” falls somewhere between The Mountain Goats intimate story-songs and the bizarre experimental pop of Xiu Xiu. The songs are all melancholy and calm, but abrupt rhythmic shifts, unusual chord changes, eccentric arrangements and more keep the listener off-guard for the majority of the album. The Caribbean never sets down a straightforward song; that’s not the point of this album. For proof, just try and guess what’s going to happen next, lyrically and musically, in “Mr. Let’s Find Out.” It’s impossible.

This is the sort of album that melds itself to people who find it at the right time. I can’t separate out Damien Jurado’s “Rehearsals for Departure” from a specific time and place, and I will defend the record nearly to the death; this will almost inevitably be the case for someone who picks up “Discontinued Perfume” at exactly the right time. It’s just that sort of album. Hopefully you’re that listener. —Stephen Carradini

 
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