Thursday 24 Jul
 
 

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
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Bear and grin it


Raise your (jazz) hands if you agree that 2 + 2 = 6. Being unconventional is what Norman’s JonBear Fourtet is all about.

Joshua Boydston March 23rd, 2011

The JonBear Fourtet
7 p.m. Thursday
Coach's Brewhouse, 110 W. Main, Norman
www.CoachsBrewhouse.com, 321-2739

Things have always been evolving for Norman six-piece The JonBear Fourtet, whose name was fossilized before two more members hopped aboard. They’ve given up on keeping up with the additions.

“Got to land on something and stick with it at some point,” said drummer Nathan Harwell.

Name-change refusal aside, Darwin would be proud; the band’s members constantly have adapted to suit each other’s strengths, and the act is an entirely new beast than when it began.

Guitarist Kyle Reid and vocalist Jon Barnoskie began playing as the acoustic duo Kyle and the Bear while attending school at the University of Oklahoma. Tapping Harwell as a drummer, they slowly added more pieces in bassist David Hickey, trumpeter Chris Schroeder and saxophonist Trevor Galvin, which have shifted dynamics drastically.

“Back then, we tried to fit what was already written,” Harwell said. “Now, all of us put in our influences and opinions. The songs sound like six pieces playing a song written by six people, as opposed to six pieces playing a song meant for two.”

With fewer inhibitions came an increased openness to opinions and new styles. Each member was nurtured with a distinct genre; the jazz influence rose to the top immediately, but others grew more prominent as time passed.

“We all had styles we gravitated toward as we learned our instruments. I’m not sure what genre you’d say, but you’ll definitely hear the blend of all of our influences,” Harwell said. “When I started playing, I tried to fit in with that jazzy vibe. I’ve kind of sucked it into another realm.”

Said Reid, “It used to be the jazzy songs with catchy melodies, all real light. Since then, there’s a new intensity and heaviness to the music. That’s a strong point. Even though it’s different styles, they work together and set us apart.”

The biggest tie between all the different shades is the band’s propensity for musical eras of yesterday.

“I’ve always been listening to old jazz records and blues albums,” Barnoskie said. “Older music just had this soul to it. You play that as an inspiration.”

Added Reid, “We are old-fashioned in the instrumentation. At the same time, there are new elements that, to a certain degree, accentuate the old stuff. You don’t know how beat-up your old tennis shoes are until you see someone’s new pair.”

Pairing the new with the old has worked well for the six-piece Fourtet, endearing itself to fans young and old, grabbing spots at Dfest and Norman Music Festival (not to mention Tuesday’s show at Coach’s Brewhouse). Possible dates await at Jazz in June and the Summer Breeze Concert Series in Norman. People keep showing up to dance, groove, admire and ponder what exactly it is they are listening to.

“I don’t think anyone has successfully pegged us,” Harwell said. “Not even us.”

 
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