Wednesday 22 May
 
 

Iron Aidan

Aidan Carroll Quartet
7 p.m. Wednesday, May 29
University of Central Oklahoma Jazz Lab
100 E. Fifth, Edmond
ucojazzlab.com
359-7989
$5-$7
05/22/2013 | Comments 0

Beat street

Lucky Date with Kids at the Bar and Crystal Vision
9 p.m. Wednesday, May 29
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$20
05/22/2013 | Comments 0

Sun rises

Sunny Side Up with The Last Slice and Classy San Diego
8 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$8
05/22/2013 | Comments 0

God bless metal

Becoming the Archetype with Bermuda, The Burial, Horror Cosmic and Veil of Suffering
6 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12-$14
05/15/2013 | Comments 0

Here for the party

Gretchen Wilson with Outlaw Son
6 p.m. Thursday
Newcastle Casino
2457 U.S. 62, Newcastle
mynewcastlecasino.com
387-6013
free
05/15/2013 | Comments 0
Home · Articles · CDs · Folk · Bob Dylan — In Concert: Brandeis...
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Bob Dylan — In Concert: Brandeis University


A must-have for Dylan collectors

Rob Collins March 28th, 2011

A year before The Beatles exploded on “The Ed Sullivan Show,” Bob Dylan planned to perform “Talkin’ John Birch Paranoid Blues” in the spring of 1963 for a national TV audience.

bobdylaninconcert

But when a CBS executive feared a libel suit from the John Birch Society and asked Bob to perform something else, Dylan walked out.

American audiences never saw Dylan’s satirical song performed on the popular Sunday-night variety show on May 12, 1963. However, a previously unknown recording of that song from two days before is the centerpiece of “In Concert: Brandeis University.” The source recording, a seven-inch reel, was recently discovered of the concert that occurred two weeks prior to the release of “The Freewheelin’ Bob Dylan” studio album.

The paranoid talking blues censored from both the CBS show and the “Freewheelin’” album told of communist “reds” and ends with the song’s narrator investigating himself: “Well, I quit my job so I could work all alone, and I changed my name to Sherlock Holmes / Following some clues from my detective bag, I discovered there were red stripes in the American flag.”

The release is a must-have for Dylan collectors. The intimate recording documents a 21-year-old Dylan in full protest-song mode, methodically strumming his acoustic guitar and singing in a gruffly deviant voice on “Masters of War” and “Ballad of Hollis Brown.” Listeners are transported back in time to the Cold War when John F. Kennedy was president. —Rob Collins

 
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