Tuesday 22 Jul
 
 

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
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Music
 

Colt defense


Releasing a new album on his own, city-based singer/songwriter Graham Colton believes his ‘Best Days’ are yet to come.

Joshua Boydston March 30th, 2011

Graham Colton
8 p.m. Saturday
VZD’s Restaurant & Club, 4200 N. Western
vzds.com, 524-4203
$18 advance, $20 door

Sometimes, you just need a little time to catch your breath.

It’s been almost a decade of jet-setting and TV appearances for Oklahoma City pop-rock singer Graham Colton, all amounting to very little rest and downtime in his hometown.

Some changes have afforded Colton a welcome return to the Sooner State, and he’s taking it as an opportunity to re-establish his roots and connect with local charities. In donating a great deal of his time and talents to organizations, the clean-cut, All-American vocalist found an unlikely mentor: the front man of The Flaming Lips.

“I’ve gotten pretty tight with Wayne Coyne. He’s such an ambassador for Oklahoma City and the state,” Colton said. “It’s an inspiring thing to watch somebody that is that passionate about his hometown and doing such great things. I think he appreciates that I come from a completely different place, but we can still speak the same language. We don’t have to be playing the same music to connect at that level.”

Having a music-biz veteran around has been most helpful to Colton, who faces some major changes. For one, his new album, “Pacific Coast Eyes,” the release of which he will celebrate Saturday at VZD’s, is his first as an independent artist.

It almost killed me.

—Graham Colton

The past nine years have been good to him, but also incredibly demanding, including national tours with John Mayer, Counting Crows and Kelly Clarkson (whom he briefly dated), and three full-length albums through Universal Records. He hopes to replicate and even expand upon that success now that the label deal has expired, and he doesn’t have to live up to someone else’s expectations and timetables.

“With my last album, the label wanted me to write as many songs as I could possibly write. I ending up writing well over 150. It almost killed me,” Colton said. “Hopefully, I grew as a songwriter, but it’s a lot of pressure. With this album, I started with a blank canvas, wrote and rewrote the songs, lived with them for nine months and then shook them out. Twelve kind of appeared.”

The title track has begun making its way on to radio stations, following him as he has toured regionally in the past few weeks. Show attendance has been as good as ever, and even without the backing of a label, all signs point to a long, steady career with a wonderful home to which to come back.

“I was treated really well, and I got some really fortunate breaks ... but it was the right time for both of us,” Colton said. “I knew I could make the album I wanted to make, and tour the way I wanted to tour. You just have to be good, and people will hear you. It may or may not be on the radio or ‘Grey’s Anatomy,’ but there are plenty of ways to make a career out of it.”

COLTON THUNDERS UP

Graham Colton’s return to Oklahoma coincided with the introduction of the Oklahoma City Thunder, and the two have planted/replanted their roots here in a constantly intertwining way. Colton performed the national anthem during the opening night of the Thunder’s inaugural season, and it proved to be the beginning of a great relationship.

“Once I got through that and didn't forget the words, thank God, I immediately became a huge fan of the team," he said. "I was so proud of the city, and it's been amazing to watch and be a part of.”

Just a year later, watching the team thrive both in the league and community inspired him to pen the anthem “Rise Together,” which has become an unofficial opening ballad for the Thunder.

“I felt inspired to do it, just so proud of the team and the community. They liked it and have gotten behind it, and it's just another way I love being from Oklahoma City,” he said. “Our players are just good people who appreciate being here even when a lot of other players wouldn’t. They really represent our city, and it's nice to have a team on the verge of something just like Oklahoma City is.”

 
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