Thursday 24 Jul

Escape from Tomorrow

With Escape from Tomorrow, one fears the story behind the movie would loom larger than the movie itself. Luckily, that is not the case. After all, it opens with a decapitation on Disney World’s Big Thunder Mountain Railroad roller coaster.
05/06/2014 | Comments 0


William Friedkin spends a lot of time in his 2013 memoir discussing why Sorcerer didn't click with critics and audiences even though he believes it to be better than his previous film, The Exorcist. Now that Warner Home Video has reissued Sorcerer on Blu-ray, we can see what Friedkin's fuss is all about.
04/23/2014 | Comments 0

Broadchurch: The Complete First Season

Welcome to the coastal resort of Broadchurch, population … oh, who can keep track, what will all the corpses? Yes, Broadchurch is yet another British television procedural involving the search for a murderer in a quaint little town, just like the limited series The Fall and Top of the Lake.
04/23/2014 | Comments 0

Paranormal Activity: The Marked Ones

Essentially part five in the ridiculously profitable horror franchise, Paranormal Activity: The Marked Ones continues the found-footage conceit of the other films. The difference is instead of the scares taking place in rich white suburbia, they do so in a junky apartment complex on a largely Latino side of Oxnard, Calif.
04/23/2014 | Comments 0

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0
Home · Articles · Movies · Drama · Trust


A cautionary tale with too much melodrama

Rod Lott March 30th, 2011

When your tween daughter asks why she can’t have a Facebook account or a MySpace page, take her to see “Trust.”

In fact, that’s really the only reason I can recommend the family drama: as a cautionary tale about what happens when the social network becomes a sexual one. It should be an “ABC Afterschool Special,” and not playing at theaters starting Friday.

At least it’s well-made. With “Trust,” director David Schwimmer — yes, Ross from TV’s “Friends” — revisits the themes of his previous outing behind the camera, 2007’s “Run, Fatboy, Run” — and, yes, I’m being sarcastic.

Clive Owen (“Duplicity”) and Catherine Keener (“Cyrus”) play loving parents to Annie (newcomer Liana Liberato in a breakthrough role), a model student, but starved for peer attention. When she receives a new MacBook for her 14th birthday, she begins chatting online with a boy in another state who — unbeknownst to her, but certainly not to audiences — is a grown man.

Her naïveté leads her to meet him at the mall. Initially stunned at his middle-agedness, she nonetheless allows herself to be sweet-talked into his car, and things go from bad to worst-case scenario.

That’s when Dad takes action, waging a one-man war against Internet child predators — but not, mind you, in Owen’s “Shoot ’Em Up” mode. (Now that would be something to see.)

This is when Schwimmer slathers on the melodrama, so much that it covers up all goodwill fostered in its first half. Character motives and reactions feel less realistic, and the film switches from narrative to sermon. In iChat lingo, it may not be a CWOT, but you’ll likely be left asking, “AYPI?”

  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5