Tuesday 18 Jun
 
 

Ninja III: The Domination

Don't ask why Ninja III: The Domination begins with a ninja assault on a municipal golf course. Just be grateful it does. You also may wonder why its sex scene employs a can of V8: Don't question it. Just lie back and enjoy it.
06/14/2013 | Comments 0

Lifeforce

Tobe Hooper got a raw deal. The director of horror hits The Texas Chain Saw Massacre and Poltergeist didn't deserve to be sent to movie jail for 1985's Lifeforce. It's a well-crafted, well-intentioned work that was mismarketed and misunderstood, losing a bundle of money and soon sending Hooper into the lands of episodic television and direct-to-video features.
06/14/2013 | Comments 0

Dead Souls

With Dead Souls, we can prove something about the Chiller cable network's original features that Remains could not: Source material is not to blame for their pervasive generic nature — it's the economy, stupid.
06/11/2013 | Comments 0

The Philadelphia Experiment

There's a theory about remakes that perhaps Hollywood should stop remaking good movies and instead remake the bad ones, so that they may be improved. The problem with that theory is one runs the risk of the remake being bad, too. Case in point: The Philadelphia Experiment.
06/12/2013 | Comments 0

Hansel & Gretel: Witch Hunters

A few surprising things about Hansel & Gretel: Witch Hunters:
• It comes from MTV Films,
• is produced by Will Ferrell,
• and is as fun as its title is dumb.
06/11/2013 | Comments 0
Home · Articles · Movies · Horror · Scream 4
Horror

Scream 4


From a 'Scream' to a whisper

Rod Lott April 15th, 2011

To place "Scream 4" within its franchise, let's talk superlatives: It's the bloodiest, the shortest and the least satisfying.

scream-4

In the decade that has passed since the previous entry, the landscape has changed greatly for horror films. Gone are the sly, self-aware semi-parodies that the original "Scream" birthed; in vogue is the so-called "torture porn" of the "Saw" series. In its opening scenes, "Scream 4" uses this to its advantage, poking fun at the new kid, saying that approach is grotesque, but not frightening, so if you want to see something really scary, stay tuned.

Well, the only thing that raised my pulse was a car running a stop sign. Perhaps today's high school audience at which this overdue sequel is aimed will have a different reaction, having grown up with the smartphone and webcam technology the movie uses as a crutch. If so, they should take some tips from some of its secondary characters — the film geeks played by Hayden Panettiere (TV's "Heroes"), Erik Knudsen ("Beastly") and Rory Culkin ("Twelve") — and dig into the likes of "Suspiria" and "Don't Look Now" to see what true scary movies are.

Because this isn't it. Neve Campbell, David Arquette and Courteney Cox return yet again, as does Ghostface, the slasher underneath the Edvard Munch-inspired Halloween mask. New, prettier cast members join them, but the route director Wes Craven takes them is rote and predictable, because Kevin Williamson's script doesn't ask them to go anywhere else.

In fact, for all Williamson's talk upfront, he delivers a weak motive and more than a couple of cop-outs. Once more, the denouement goes on far longer than necessary — too much, too late. —Rod Lott

 
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