Wednesday 19 Jun
 
 

The Last Exorcism Part II

Unlike many moviegoers, 17-year-old farm girl Nell Sweetzer (Ashley Bell, The Day) has no memory of the events of The Last Exorcism, a found-footage smash of three years prior. The Last Exorcism Part II finds her taking steps to build life anew, beginning in a boarding house for troubled girls, where the deeply devout Nell is exposed to such heretofore corrupting influences as lipstick and rock music and YouTube and cotton candy.
06/19/2013 | Comments 0

The ABCs of Death

Suspense novelist Jeffery Deaver once praised the short-story format, writing that the minimal time investment on the part of the reader allows the writer to get away with endings he or she cannot in the long form. In other words, the writer can be meaner, more devious. He's absolutely right, and the theory applies wholesale to The ABCs of Death, more or less a horror anthology depicting "26 ways to die."
06/19/2013 | Comments 0

Ninja III: The Domination

Don't ask why Ninja III: The Domination begins with a ninja assault on a municipal golf course. Just be grateful it does. You also may wonder why its sex scene employs a can of V8: Don't question it. Just lie back and enjoy it.
06/14/2013 | Comments 0

Lifeforce

Tobe Hooper got a raw deal. The director of horror hits The Texas Chain Saw Massacre and Poltergeist didn't deserve to be sent to movie jail for 1985's Lifeforce. It's a well-crafted, well-intentioned work that was mismarketed and misunderstood, losing a bundle of money and soon sending Hooper into the lands of episodic television and direct-to-video features.
06/14/2013 | Comments 0

Dead Souls

With Dead Souls, we can prove something about the Chiller cable network's original features that Remains could not: Source material is not to blame for their pervasive generic nature — it's the economy, stupid.
06/11/2013 | Comments 0
Home · Articles · Movies · Children's · Rio
Children's

Rio


Utterly forgettable

Phil Bacharach April 20th, 2011  

From the conveyer belt of Fox Animation, “Rio” comes equipped with a predictable story, perfunctory characters and presentable visuals.

There are songs, double entendres and the seemingly requisite 3-D effects to ensure ticket prices eat up a small fortune. It is utterly forgettable.

Jesse Eisenberg (“The Social Network”) is the voice of Blu, a macaw who is poached shortly after birth in the jungle and winds up in small-town Minnesota. As the pet of timid bookstore owner Linda (Leslie Mann, “Funny People”), Blu grows up to be so über-domesticated, he never even learns how to fly.

That cozy routine is rattled when an ornithologist arrives to tell Linda that her feathery companion might just be the last of its species. Consequently, Blu must return to Rio de Janeiro to mate with a beautiful female macaw, Jewel (Anne Hathaway, “Love and Other Drugs”).

Blu grudgingly obliges, only to be swept up in tortured adventures involving smugglers, thieving monkeys, street-smart birds, a paternal toucan, an oafish bulldog and a Carnival parade. Despite a surfeit of voice talent that includes Jamie Foxx and Tracy Morgan, only “Flight of the Conchords” star Jemaine Clement registers an impression as a villainous cockatoo.

Director Carlos Saldanha (the “Ice Age” franchise), a native of Rio, fills the screen with bursts of color that pay fitting tribute to his hometown. He doesn’t put nearly as much effort into the picture’s thinly drawn (figuratively speaking) characters. The result is a lot of frantic and breathless action that feels dull.

With Pixar and (to a lesser extent) DreamWorks setting a high bar for family-friendly animation, it’s bewildering that Fox still hasn’t figured out that telling a good story is what matters most.

 
  • Currently 3.5/5 Stars.
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