Thursday 24 Apr

IndianGiver - Understudies

There’s a difference between being derivative and being inspired by something, a line a lot of artists can’t seem to find — or at least don’t care to.
04/22/2014 | Comments 0

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0
Home · Articles · Music · Music · ‘Monday’ mourning

‘Monday’ mourning

Singer/songwriter Michael Fracasso can't let go of love lost. On 'Saint Monday,' he conveys how the hole in his heart just grows wider.

Danny Marroquin May 4th, 2011

Michael Fracasso
7 p.m. Friday
The Blue Door, 2805 N. McKinley, 524-0738

Michael Fracasso has a lot going for him: a seamless tenor; an easy smile; a compact, poignant writing style; even a serious talent for cooking pasta dinners. He’s so courteous and agreeable at his shows, it’s somewhat jarring to hear him drop the F-bomb while covering John Lennon’s “Working Class Hero.”

But it’s always tricky to pin down a guy who reads “Moby-Dick” for fun.

There are layers to unpeel with the singer/songwriter’s work. It might seem like the good life to write tender tunes for a living, but it takes work. He studies humans and feeling from all angles. If he has mastered writing about the heart, it’s because he’s experienced love’s ravages, too.

The songs on “Saint Monday,” to be celebrated with a CD-release show Friday at The Blue Door, are melodically rich, yet trudging and exhausted; some drift through houses where love went bad and some try to ignore broken souvenirs. The old codgers drinking coffee sigh from the album cover; on the back, Fracasso’s having his cup alone.

His voice is laconic and a tad scratched, having had not much sleep since his yard, shed and garage were burned down by recent wildfires in Austin, Texas. He remembers 1993’s “Love & Trust” as keenly as this new album. The story behind the early tracks was a case of unrequited love. He wrote the girl recently to check up, only to receive a solemn letter that widened his loss.

“In this new record, she’s gone, and that’s the difference,” Fracasso said. “Literally, she’s gone. As I was working on the record, I wrote her a letter, and her husband wrote me back and told me she’d passed away from Lou Gehrig’s disease, which initially wiped me out. A lot of the songs on this record come from that realization.”

A beginning songwriter might get some bad news and go write a downand-outer. Not Fracasso.

In fact, his title track tells a snappy story about a man who drinks until he’s too hungover to work. Yet it evokes a faceless many, as the beautiful loser starts praying: “Sometimes I feel disgusted, then she sings a song / About the old rugged cross stained with blood / For those who are lost on Monday, Saint Monday.”

It encompassed more than just me.

—Michael Fracasso

It echoes what psychiatrist Carl Jung said about the searching soul of the drinker. Co-writer/producer Jim Lewis pushed Fracasso to go further, at first to Fracasso’s annoyance. The song had been stuck at two verses.

“I tell ya, it was like crazy how longed I worked on that song. I wrote it one night almost all night long, and then we had a session and tried to record it the next day, and just couldn’t. I worked on it for days and days on end,” Fracasso said. “I said, ‘I know this is a song. I gotta find it.’ I just kept going after it. But by the time it was re-written, it became this. It encompassed more than just me. It was no longer just about me.”

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