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The Burning

It speaks to the strength of The Burning’s reputation among cult-film fans that what’s most memorable about the 1981 slasher is not that it was written by the Weinstein brothers, nor that it represents early appearances of the likes of Jason Alexander, Holly Hunter and Fisher Stevens. It’s that its Cropsy is just a damned good villain.
05/24/2013 | Comments 0

Dexter: The Seventh Season

There's no way to discuss the seventh and penultimate season of Showtime's hit Dexter without acknowledging how the previous year ended. Therefore, if you haven't finished the sixth season, stop reading now. You've got work to do.
05/21/2013 | Comments 0

Nightfall

As Simon Lam gets older, he gets better. The veteran actor has appeared in such in seminal HK action films of the 1990s as Once Upon a Time in China (opposite Jet Li) and Bullet in the Head (directed by John Woo); in the aughts, he graced audience and critical favorites Election and Ip Man.
05/20/2013 | Comments 0

Grand Duel

Lee Van Cleef enjoyed a secondary career in Italy cranking out spaghetti Westerns, with little regard to quality. However, 1972’s Grand Duel — aka The Big Showdown — is deserving of its Grand label. No wonder Quentin Tarantino borrowed its sweeping theme song by Luis Bacalov for Kill Bill; you'll recognize it in two notes.
05/20/2013 | Comments 0

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0
Home · Articles · Movies · Documentary · A Film Unfinished
Documentary

A Film Unfinished


Starkly illustrates both the duplicity and unflinching honesty of cinema

Phil Bacharach May 4th, 2011  

The camera doesn’t lie — except, of course, when it does.

 

“A Film Unfinished,” screening Friday and Saturday at the Oklahoma City Museum of Art, starkly illustrates both the duplicity and unflinching honesty of cinema. The harrowing documentary has a more urgent purpose, however, as it details the evil of the Holocaust.

At its center is an unfinished work of Nazi propaganda chronicling life in the Warsaw Ghetto. Shot in May 1942, the footage remains something of a mystery. It was discovered in an underground vault after World War II, and its seemingly disparate episodes appear to tell different versions of truth. The Nazi filmmakers stage a number of scenes of luxurious living to disguise the reality, in which nearly half a million Jews were forced into a three-square-mile slum and essentially left to die of starvation and typhus.

At other times, however, the horrific truth is front and center: grossly malnourished people; ramshackle buildings dissolving in hills of feces and refuse; skeletal corpses littering sidewalks. “A Film Unfinished” is a brutal glimpse into what European Jews faced even before their slaughter in Hitler’s concentration camps.

Director Yael Hersonski juxtaposes episodes from the incomplete work with accounts taken from the diary of Adam Czerniaków, who led the Jewish council that ostensibly governed the ghetto. The emerging picture is beyond haunting, as Czerniaków’s written words provide context to the farcical scenes staged by the Nazis for the camera’s benefit.

Equally effective are the recollections of Warsaw Ghetto survivors as they watch the flickering images of the nightmare they lived. These eyewitnesses are also a jarring reminder that the twisted evil of the Nazis existed not so long ago. That fact remains nearly unfathomable — no matter how many movies and books depict the Holocaust.

 
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