Saturday 26 Jul
 
 

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Friday-Saturday
Downtown Tulsa 
centeroftheuniversefestival.com 
$35-$50 

07/22/2014 | Comments 0

Mack truckin’

Swizzymack
9 p.m. Friday 
Kamp’s Lounge 
1310 NW 25th St. 
lndrnrs.com 
819-6004 
$10-$15 

07/23/2014 | Comments 0

Chevy cruisin’

Chevy Woods with Kevin Gates & more
9 p.m. Sunday 
Vibe Night Club 
227 SW 25th St. 
$20-$40 

07/16/2014 | Comments 0

Rock steady

Tesla
7 p.m. Saturday
Frontier City
11501 N. Interstate 35 Service Road 
frontiercity.com
478-2140
Free with park admission 

07/16/2014 | Comments 0
Home · Articles · Reviews · Indie · Other Lives — Tamer Animals
Indie
 

Other Lives — Tamer Animals


Lush, thoughtful and detailed indie beauty

Stephen Carradini May 4th, 2011

Not listening closely to “Tamer Animals” by Other Lives will cause you to miss most of what makes it so great.

tameranimals

The intricate details and arrangements aren't forced on the listener here; it's very possible to listen casually and only hear some stately, beautiful, mid-tempo indie tunes. The songs are much more than that, but those who don't enjoy seeking out the layers of composition may just hear a big wash of sound.

Then again, if you're into aural tidal waves, you'll love “Tamer Animals” for different reasons than I. The moods of each piece hang together, creating an album that feels very much all of one piece. From the pulsing horns of opener “Dark Horse” to the gently galloping rhythms of “For 12” to the closing string elegy “Heading East,”a sense of calm, stately wonder at the state of things is invoked.

At the center of the sound is Jesse Tabish's ghostly, mournful voice, evoking emotions enhanced by the intricate instrumentation. Strings swoop in and out, while thoughtfully chosen percussion is purposefully played. These and other equally important elements lurk just below the top level of the mix. Tabish spent 14 months crafting these songs in the studio, and thus there is not an spontaneous moment on the record — everything is placed just so.

That's not to say that there isn't life or energy to be had; these tracks carry an easy momentum that keeps the experience from becoming a drag. Penultimate track “Landforms” is a good example of both their complex compositions and their ability to wring energy out of those unusual tunes. A thumping tom and jingling sleigh bells pair with pulsing horns (similar to the opener, it all comes back around) to push the track calmly through.

But it's not all esoteric composer's moves here. Tabish has a pop side to him, and many of the vocal melodies are accessible. It's not Ke$ha by any stretch of the imagination, but this isn't an austere songwriting experiment, either.

On that level, the lush “Tamer Animals” is good at first glance. It's excellent if you sift through its contents for the surprising and interesting details. Choose your own adventure. —Stephen Carradini

 
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