Thursday 23 May
 
 

Iron Aidan

Aidan Carroll Quartet
7 p.m. Wednesday, May 29
University of Central Oklahoma Jazz Lab
100 E. Fifth, Edmond
ucojazzlab.com
359-7989
$5-$7
05/22/2013 | Comments 0

Beat street

Lucky Date with Kids at the Bar and Crystal Vision
9 p.m. Wednesday, May 29
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$20
05/22/2013 | Comments 0

Sun rises

Sunny Side Up with The Last Slice and Classy San Diego
8 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$8
05/22/2013 | Comments 0

God bless metal

Becoming the Archetype with Bermuda, The Burial, Horror Cosmic and Veil of Suffering
6 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12-$14
05/15/2013 | Comments 0

Here for the party

Gretchen Wilson with Outlaw Son
6 p.m. Thursday
Newcastle Casino
2457 U.S. 62, Newcastle
mynewcastlecasino.com
387-6013
free
05/15/2013 | Comments 0
Home · Articles · CDs · Indie · Man-made Objects — EP
Indie

Man-made Objects — EP


Beautifully recorded psych and shoegaze tunes

Stephen Carradini May 18th, 2011  

Man-Made Objects’ shoegaze and psych tunes rely heavily on songcraft, relegating reverb to an effect on guitar and vocals instead of the featured element.

Man-Made Objects’ shoegaze and psych tunes rely heavily on songcraft, relegating reverb to an effect on guitar and vocals instead of the featured element. As a result, the band calls to mind a less noisy Stardeath and the White Dwarfs or a darker Flaming Lips.

The songs are catchy, but that’s a bonus; the most memorable aspect of the “EP” is its consistent ethereal mood. Even when the band beefs up the beat and increases the tempo on “Tricia with Color Bars,” the sound is maintained.

Because “song” is so important, the instrumentation isn’t gaudy or ostentatious.

“Black-Green” opens the set with dark guitar work, heavily modified vocals and simple drumming. The bass work, while not often overtly featured, grounds the sound in a very satisfying way.

“EP” was recorded at Bell Labs with Trent Bell, and his expert hand allows the recording studio to get out of the way of the songs. The immediate and arresting “Dying Storms” proves this; it feels as if Man-Made Objects are in the room when it’s played (other than the distant vocals). “Happiness Is a Pyroclastic Flow” is another excellent cut, featuring a great vocal line and a vintage ’70s guitar lick.

The five-track disc is an excellently written, beautifully recorded set of dark, psychedelic and shoegaze tunes. —Stephen Carradini

 
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