Wednesday 19 Jun
 
 

Kanye West — Yeezus

Try as you might, but there’s no escaping Kanye West. Turn on the TV, radio, computer — hell, take a stroll downtown and you might see his mug projected on the side of a building. It’s an undeniable fact of life in 2013: Kanye West is bigger than Buddha, Krishna and The Beatles (today, anyway) and he’ll be the first to let you know about it.
06/18/2013 | Comments 0

John Moreland — In the Throes

With the soul of a poet and the look of a Sons of Anarchy extra, Tulsa’s John Moreland has been gifted the sort of gravely, booming voice that does Bruce Springsteen proud and a similar understanding of the universal human experience. It’s made for some fantastic records — both as a solo artist and with his dissolved Black Gold Band — and In the Throes is his best yet.
06/19/2013 | Comments 0

Jumpship Astronaut — Lights Burn Out

Oklahoma has never been the haven for electronic rock music that it is for country, folk and, as of late, psychedelic pop, but from the sound of Lights Burn Out, Oklahoma City upstart Jumpship Astronaut seems intent on changing that.
06/12/2013 | Comments 0

Various artists — Reaching Out

Like so many Oklahomans, the local music scene has responded with generosity and grace in the wake of last month’s tragedy in Moore. In the weeks since, droves of local musicians have banded together for benefit concerts and radio marathons to raise funds for the relief effort, and with extraordinary results.
06/04/2013 | Comments 0

Progress in Color — Get Well

It’s been a long, bumpy ride for Glenpool’s Progress in Color, which saw a record deal with Epic evaporate before even one record could come of it, but it’s led the outfit to where it was supposed to be.
06/04/2013 | Comments 0
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Music

Pan-seared sounds


Your fortune reads: 'Lo-Pan will blast your ears with some tasty metal.'

Stephen Carradini May 24th, 2011  

Lo-Pan with Gypsyhawk, Dischordia and Foreign Contaminant
7:30 p.m. Sunday
The Conservatory, 8911 N. Western
ConservatoryOKC.com, 607-4805
$7

Ohio metal band Lo-Pan loves to tour.

“Most of us are very strongly connected to our performance,” said drummer Jesse Bartz. “That’s how we want to earn our fans.”

How much does Lo-Pan like touring? So much so that Bartz’s answer to almost every question ended up related to hitting the road:

On the story behind the title of the act’s latest album, “Salvador”: “We have an equipment dolly that we’ve been carrying around for the past four years. We nicknamed it that.” (Salvador, the equipment dolly, even appears on the cover of “Salvador,” the album).

On the disc’s topics: “The album is based around us being on tour. It’s music that we wrote or were experiencing while we were on the road. ”

On the benefits of living on said road: “The whole Midwest is becoming our local, our hometown. Those are like our second homes. We’re hitting them regularly. We have a stronger Midwest presence than anything.”

On the type of people you’d have to be to like touring so much: “We have a different mentality than other bands. We get off on live performance. Not everyone does. It takes someone driven, or someone who’s just stupid like us, to put up with it.”

On where Lo-Pan got its name:
















On having been to Oklahoma before: “The Conservatory is one of the clubs that we showed up at, and it just felt right.”

On why people should see Lo-Pan on Sunday: “They’ll definitely be impressed by the live performance. We’re comfortable. We’re a solid unit. Just get out and do it.”

On the future of Lo-Pan: “We’re really comfortable touring. We’d rather do that than anything else in the music industry. Hopefully, in five to 10 years,we’re a well-oiled machine. We realize we’re at the beginning stages, and we have a long way to go. ... We’re in it for the long haul.”

On what they do when not touring: “All of us are working jobs between to make it work.”

In fact, the guys of Lo-Pan are so into touring and the live experience that they shy away from even talking about what their music sounds like.

“We want it to be an individual experience. It should almost be like blind people listening to music, to not be swayed,” Bartz said. “We try to not describe our music and influences very much. It’s good time rock ’n’ roll. You won’t be disappointed.”

 
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