Wednesday 19 Jun
 
 

Kanye West — Yeezus

Try as you might, but there’s no escaping Kanye West. Turn on the TV, radio, computer — hell, take a stroll downtown and you might see his mug projected on the side of a building. It’s an undeniable fact of life in 2013: Kanye West is bigger than Buddha, Krishna and The Beatles (today, anyway) and he’ll be the first to let you know about it.
06/18/2013 | Comments 0

John Moreland — In the Throes

With the soul of a poet and the look of a Sons of Anarchy extra, Tulsa’s John Moreland has been gifted the sort of gravely, booming voice that does Bruce Springsteen proud and a similar understanding of the universal human experience. It’s made for some fantastic records — both as a solo artist and with his dissolved Black Gold Band — and In the Throes is his best yet.
06/19/2013 | Comments 0

Jumpship Astronaut — Lights Burn Out

Oklahoma has never been the haven for electronic rock music that it is for country, folk and, as of late, psychedelic pop, but from the sound of Lights Burn Out, Oklahoma City upstart Jumpship Astronaut seems intent on changing that.
06/12/2013 | Comments 0

Various artists — Reaching Out

Like so many Oklahomans, the local music scene has responded with generosity and grace in the wake of last month’s tragedy in Moore. In the weeks since, droves of local musicians have banded together for benefit concerts and radio marathons to raise funds for the relief effort, and with extraordinary results.
06/04/2013 | Comments 0

Progress in Color — Get Well

It’s been a long, bumpy ride for Glenpool’s Progress in Color, which saw a record deal with Epic evaporate before even one record could come of it, but it’s led the outfit to where it was supposed to be.
06/04/2013 | Comments 0
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Music

Business opportunity


J Roddy Walston went against God — or so his parents said — to pursue his heavenly brand of piano-based rock with The Business.

Joshua Boydston June 8th, 2011  

J Roddy Walston and The Business
6 p.m. Tuesday
The Conservatory, 8911 N. Western
ConservatoryOKC.com, 607-4805
$10 advance, $12 door

That J Roddy Walston wanted to be a musician shouldn’t have come as a surprise, being born in a family more musical than most. Maybe it was being told at a young age that it was a sin to play music for any reason other than God or family that relegated him to privacy.

“It was kind of shocking to my family,” Walston said. “They didn’t see it coming. I had been doing all of it in secret, up in my bedroom or my friend’s basement. Then one day, I was like, ‘I have a show. Wanna come?’” Although not doing it for “the right reasons,” he realized how important music was to him at a young age.

He began writing lyrics at 10, learned guitar at 13, and piano — now his instrument of choice — a few years later by watching his grandmother.

“I guess I have a pretty deep, sentimental connection to music,” Walston said. “There are things about American music — country, soul and gospel — that kind of stirred something from way back in my childhood. I’ll play something and not know where it came from ... then it all comes back to me. It’s been fun exploring all that and digging in deeper.”

Moving from Tennessee to Baltimore, he found a group of musicians to act as his band, The Business.

The sound they formed — described as “simple rock ’n’ roll” — gave him more fits than starts; most promoters didn’t know what to do with a piano-driven rock act.

“I got put on a lot of bills full of emo bands,” he said. “The first year or two of us playing was us playing to a crowd that was there to hear something totally different from what we were putting out there. We’ve had to carve our own path, which is weird, since we are just a rock ’n’ roll band playing rock ’n’ roll.”

An infectious, near-spiritual live show helped him grind it out against the Fall Out Boy set, finally finding better-fitting audiences and a place on Vagrant Records’ roster alongside the likes of The Hold Steady. With his self-titled album released a year ago, Walston is prepping to record a batch of songs for another between summer festival dates, hoping to carry forward with what he learned to balance on the last disc.

“It’s been figuring out how to have high energy and a deeper level to it all. A lot of bands try to do both, and one of them gets in the way of the other,” he said. “The message gets in the way or the reverse of that. It took us a long time to figure out how to write that way, but I think we made a smart record that is also pretty rockin’.”

 
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