Wednesday 23 Jul

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
Home · Articles · Music · Music · Doc ’n’ roll

Doc ’n’ roll

In the local music scene, there’s a lot going on, and a web series now in its second season proves it.

Stephen Carradini June 8th, 2011

Two guys from Los Angeles show up in Oklahoma City because they’re going to shoot a music documentary.

It’s not a joke; it’s how “Chevy Bricktown Showcase” got started.

The mini-documentary series, which recently began its second season, features two local artists per episode playing tunes at Bricktown locations like RedPin Restaurant & Bowling Lounge, then interviewing each other.

L.A.-based Tommy Smeltzer and Kevin Muir have been in and around film and music for years, and they were tapped to shoot the show, as Smeltzer’s sister lives in Oklahoma.

They had no idea what they were getting themselves into.

“I’ve been really impressed with the quality of music here,” Muir said. “I’m from Athens, Ga., and I had no idea what we’d find. I was amazed.”

But they didn’t just sit back and marvel. They got down to work, turning out 26 episodes in the first season. The second season recently started, and you can watch the new episodes each Friday at and at

Smeltzer said there’s a charm to them that isn’t found in other docs.

“The interview stops being an interview about two minutes in, and they get lost in the conversation,” he said. “It’s not that much different than a watercooler conversation. It’s their version of the water cooler.”

Most often, the musicians compare notes on their experiences.

“Our goal is to shine a light on the working-class, middle-class musician. We want to show that it’s a valid line of work,” Smeltzer said, “and it is work — not sloth and debauchery.”

It also shines a light on Bricktown. “One of the artists, Ryan Lawson, said it best: ‘There are tons of people who would say that Oklahoma City is boring, but you’re just not looking hard enough,’” Smeltzer said. “Every night of the week, there is something happening.”

According to the filmmakers, even with the Bricktown backdrop, it’s the subjects that shine through, due to the unique nature of the project.

“We said, ‘Let’s get rid of the host,’” Smeltzer said.

Added Muir, “We’re telling this story from an insider perspective, not an outsider perspective.”

That creates an avenue to get to know musicians in new and deeper ways than just music.

“I hope the show drives people to artists, which will drive people to a show, which will drive them to Bricktown,” Smeltzer said.

The call to action is the bottom line on why Smeltzer and Muir are looking forward to their contracted third season.

“You watch the show to remind yourself that there’s some living to do out there,” Smeltzer said.

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