Wednesday 22 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Doc ’n’ roll


In the local music scene, there’s a lot going on, and a web series now in its second season proves it.

Stephen Carradini June 8th, 2011  

Two guys from Los Angeles show up in Oklahoma City because they’re going to shoot a music documentary.

It’s not a joke; it’s how “Chevy Bricktown Showcase” got started.

The mini-documentary series, which recently began its second season, features two local artists per episode playing tunes at Bricktown locations like RedPin Restaurant & Bowling Lounge, then interviewing each other.

L.A.-based Tommy Smeltzer and Kevin Muir have been in and around film and music for years, and they were tapped to shoot the show, as Smeltzer’s sister lives in Oklahoma.

They had no idea what they were getting themselves into.

“I’ve been really impressed with the quality of music here,” Muir said. “I’m from Athens, Ga., and I had no idea what we’d find. I was amazed.”

But they didn’t just sit back and marvel. They got down to work, turning out 26 episodes in the first season. The second season recently started, and you can watch the new episodes each Friday at WelcomeToBricktown.com and at YouTube.com/ChevyBricktown.

Smeltzer said there’s a charm to them that isn’t found in other docs.

“The interview stops being an interview about two minutes in, and they get lost in the conversation,” he said. “It’s not that much different than a watercooler conversation. It’s their version of the water cooler.”

Most often, the musicians compare notes on their experiences.

“Our goal is to shine a light on the working-class, middle-class musician. We want to show that it’s a valid line of work,” Smeltzer said, “and it is work — not sloth and debauchery.”

It also shines a light on Bricktown. “One of the artists, Ryan Lawson, said it best: ‘There are tons of people who would say that Oklahoma City is boring, but you’re just not looking hard enough,’” Smeltzer said. “Every night of the week, there is something happening.”

According to the filmmakers, even with the Bricktown backdrop, it’s the subjects that shine through, due to the unique nature of the project.

“We said, ‘Let’s get rid of the host,’” Smeltzer said.

Added Muir, “We’re telling this story from an insider perspective, not an outsider perspective.”

That creates an avenue to get to know musicians in new and deeper ways than just music.

“I hope the show drives people to artists, which will drive people to a show, which will drive them to Bricktown,” Smeltzer said.

The call to action is the bottom line on why Smeltzer and Muir are looking forward to their contracted third season.

“You watch the show to remind yourself that there’s some living to do out there,” Smeltzer said.

 
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