Sunday 20 Apr

Odyssey of the mind

Jacob Fred Jazz Odyssey 

with Culture Cinematic and ADDverse Effects

9 p.m. Friday

Twisted Root Gallery

3012 N. Walker Ave.



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Frndz with benefits

Boyfrndz with Bored Wax and The Hitt Boyz

9 p.m. Sunday

Blue Note Lounge

2408 N. Robinson Ave.



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Saddle up

Horse Thief with Deerpeople and Pageantry

8:30 p.m. Friday

ACM@UCO Performance Lab

329 E. Sheridan Ave.



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High heaven

Glow God with Weed, Feral Future and Power Pyramid

7 p.m. Friday

Capitol House


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Darkened tones

Chevelle with Nothing More and Middle Class Rut

6:30 p.m. Monday

Diamond Ballroom

8001 S. Eastern Ave.



04/09/2014 | Comments 0
Home · Articles · CDs · Indie · Delay Trees — Delay Trees

Delay Trees — Delay Trees

The best Death Cab album Ben Gibbard didn’t write

Stephen Carradini June 16th, 2011

If you’re a longtime fan of Death Cab for Cutie feeling let down by “Codes and Keys,” fear not.


Delay Trees’ self-titled album is the best DCFC album that Ben Gibbard didn’t write. It’s put out by four Finns, proving once more that Scandinavians are just cooler and better than you.

The resemblance is eerie at first: Rami Vierula’s easy-going, high-pitched keen echoes Gibbard’s, while the band’s dreamy soundscapes within indie-pop structures call up comparisons to both “The Photo Album” and “Codes and Keys.”

But the aesthetic distance that Pitchfork blasted in their review of “Codes”  and I noted in passing is not present here. These songs sound grounded and intimate, despite their tightly constructed arrangements. Delay Trees’ greatest accomplishment is the fact that the appealing little cottage somehow contains a mansion inside it without losing the perks of either.

It helps that the melodies are immediate and Velcro-lined. The group bakes the cake and then melts candy bars on top of it. “About Brothers” has a beautiful “whoa-oh” section that is only trumped by the shiver-inducing one in “Tarantula/Holding On.” You know when bands try to force epic things into otherwise normal songs? That’s not what Delay Trees is about. They painstakingly build their tunes, and the payoffs are all the more great because of it (“Whales and Colors,” “In February”).

But they pass the pop-song test as well: I woke up this morning with the verse melody from “Cassette 2012” in my head. It’s an incredibly pleasant way to wake up.

Delay Trees has constructed a beautiful album that should not be missed by those who love indie pop or the mellowed side of indie rock. I foresee myself spinning this many more times this year, as it is at least equal, if not better than Death Cab’s latest. —Stephen Carradini

Download "Cassette 2012."

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