Tuesday 29 Jul
 
 

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
Newsletter
Home · Articles · Music · Music · The Pretty Black Chains —...
Music
 

The Pretty Black Chains — Awakening


You’d never know that The Pretty Black Chains very recently used to be a Brit-pop band.

Stephen Carradini July 6th, 2011

“Awakening” is proof that their tansformation into a Led Zeppelin-style rock band was as complete as it was swift.

The act makes it clear from the first second of the album, which kicks off with Derek Knowlton’s heavy riff from “Let Me In” and pours on the guitar from there on out. Fans of the six-string will find much to love in tunes from the fuzzed-out “Lovers” to the ’90s-influenced runs of “Thorny Crown”; the members of the four-piece have become unabashed guitaraholics.

Despite the genre switch, the swagger of frontman Kellen McGugan has not changed, as he still howls and hollers his way through the tunes. The frantic title track is the best example of this, as McGugan alternately preens, roars and whips his voice around. The title track also stands out as a composition, with several distinct parts, tempos and moods. The powerful guitar work, as with everywhere else, drives the song through the changes.

But it’s not all six-string fury; the six-minute “Color of a Tomb” gives a feature to bassist Jonathan Martin. The change-up makes it one of the most memorable on the album, which is saying something: Guitar fanatics of almost any age and preference will find all of “Awakening” admirable. —Stephen Carradini

 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close