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IndianGiver - Understudies

There’s a difference between being derivative and being inspired by something, a line a lot of artists can’t seem to find — or at least don’t care to.
04/22/2014 | Comments 0

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0
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Paul revered


After folk musician Ellis Paul needed his fans’ help — and got it — he’s been crafting his finest songs ever in thanks.

Joshua Boydston July 13th, 2011

Ellis Paul
7 p.m. Friday
The Blue Door
2805 N. McKinley
bluedoorokc.com, 524-0738
$20 advance, $25 door

Folk musician Ellis Paul has faced a lot of audiences over his two-decade career. His new foray into children’s music has him facing the toughest one yet.

“It’s like painting with primary colors:

no subtle shades,” he said. “You’ve got to get their attention quicker, use exciting language. It’s a lot more demanding. I really have to be on my game.”

It may seem an odd venture for a songwriter of his stature, having toured the country to sold-out shows, and cowritten hits for bands like Sugarland. But he has a good reason — two, in fact.

“I have two little girls, and I wanted to write music that they could listen to while I was gone that was written for them. I feel like I’m fulfilling a parental responsibility,” Paul said. “Folk is music for the people, and I feel like I’m more of a folksinger writing these songs than I do singing my regular songs.”

Paul still places much of his focus on “grown-up” songwriting — which fans can hear Friday at The Blue Door — but the elements of children’s music are seeping in one way or another.

“I’m learning how to write more succinctly. Early on, the lyrics per square foot were pretty dense,” he said with a laugh. “Now there’s a lot more space.”

Listeners have made sure to reward his continued growth and maturity with more than just ticket sales and album purchases. When Paul parted ways with his old record label in 2008, he found financiers directly from his consumer base, to the tune of $100,000 in donations for recording and distribution.

“The outpouring … it was more than any record label had ever contributed to one of my projects before,” he said. “We were really amazed that much happened, right around the time the economy was crashing. Money was tight, so that was phenomenal.”

Such monumental support demanded a product worthy of it. Paul went into the studio to record last year’s “The Day Everything Changed” with a renewed — and clarified — sense of loyalty to his followers.

“It was like we all owned a part of it,” Paul said. “I knew I needed to do something they would all be proud of. Sometimes you are trying to please a record label, sometimes you are trying to please the critics, and this was a situation where I just wanted to put out the best record I could for the fans.”

Paul is now looking toward to getting back into the studio to record a follow-up for sometime early next year, still not resting on his laurels and wanting — now more than ever — to please his fans calling for new, good music.

“Each record sets the bar a little higher than the last,” he said. “I want to keep developing that way.”

 
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