Wednesday 22 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Folk hero


Those musicians influenced by Woody Guthrie will pay tribute to him at the annual folk festival that proudly bears his name.

Joshua Boydston July 13th, 2011  

Woody Guthrie Folk Festival featuring Jimmy LaFave, Stoney LaRue, Shawn Mullins and more
Wednesday-Sunday
Okemah
woodyguthrie.com 918-623-2440
Free

Woody Guthrie was a masterful writer, a talented musician and a brilliant visionary. For many, like performer Jimmy LaFave, it’s a shame he’s not always remembered as such.

“There’s a real treasure here,” said LaFave, who performs Friday at the Woody Guthrie Folk Festival, which runs today through Sunday. “There’s been a real injustice done to this guy’s memory, and we’ve got to correct that. We should embrace this man’s legacy. We can learn a lot from him.”

Now in its thirteenth year, the festival has gathered fervent fans and major musicians under the unyielding heat of Guthrie’s native Okemah to celebrate his life and influence. It’s a can’t-miss event for a particular populace that continues to marvel and adore him so much.

“It’s a reunion for us musicians,” said Slaid Cleaves, taking the stage on Thursday. “It’s special to be where Woody grew up. Echoes of those memories still linger.”

It’s a sort of magical summer camp for these performers, many of whom return year after year, and all of whom play for free. They reminisce over their first encounters with Guthrie’s music — nearly always singing along with “This Land Is Your Land” in elementary school — and then discovering the importance of his work after their lives lead toward the path of music.

“Most music was made just as pure entertainment,” said Gretchen Peters, who plays Friday and has written hits for the likes of George Strait and Neil Diamond. “His led to the dawning — in my mind — that music could be about more than ‘I love you, baby’ sort of stuff.”

Nearly all studied his songs tirelessly, yearning to capture the substance and weight he managed to convey through his plain, folksy (but endlessly clever) demeanor and writing style. “The simplicity and power of his songwriting served as a guidepost for my early writing. It’s a good yardstick to put your songs up against,” Cleaves said. “It’s hard to measure up, though.”

Peters agreed. “He took the specific and made it universal,” she said. “That’s the most important thing you can do as a songwriter. If you are going to involve people emotionally, if you are going to get them where they live, you have to tell stories that they can believe and invest themselves in. Woody was a master of that.”

Much of that talent got lost in politics. Muckraking tarnished his legacy in the minds of some. He was labeled a radical leftie and a communist, but continued to brandish his guitar to fight injustices until Huntington’s disease stole his health and ability to create.

Luckily, time didn’t forget Guthrie; folk, rock, punk and even political figureheads continually cite the importance of his work. Now, he’s assuming a spot alongside Will Rogers as one of the state’s most beloved figures. In many minds, that’s taken far too long.

“The state is slowly, thank goodness, coming to terms with the impact of Woody Guthrie,” LaFave said. “He’s finally getting his due, being celebrated as one of the great native sons of Oklahoma. He’s the most famous Oklahoman in the world, an anomaly of a human being … people like him don’t come along too often.”

 
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