Thursday 20 Jun
 
 

Kanye West — Yeezus

Try as you might, but there’s no escaping Kanye West. Turn on the TV, radio, computer — hell, take a stroll downtown and you might see his mug projected on the side of a building. It’s an undeniable fact of life in 2013: Kanye West is bigger than Buddha, Krishna and The Beatles (today, anyway) and he’ll be the first to let you know about it.
06/18/2013 | Comments 0

John Moreland — In the Throes

With the soul of a poet and the look of a Sons of Anarchy extra, Tulsa’s John Moreland has been gifted the sort of gravely, booming voice that does Bruce Springsteen proud and a similar understanding of the universal human experience. It’s made for some fantastic records — both as a solo artist and with his dissolved Black Gold Band — and In the Throes is his best yet.
06/19/2013 | Comments 0

Jumpship Astronaut — Lights Burn Out

Oklahoma has never been the haven for electronic rock music that it is for country, folk and, as of late, psychedelic pop, but from the sound of Lights Burn Out, Oklahoma City upstart Jumpship Astronaut seems intent on changing that.
06/12/2013 | Comments 0

Various artists — Reaching Out

Like so many Oklahomans, the local music scene has responded with generosity and grace in the wake of last month’s tragedy in Moore. In the weeks since, droves of local musicians have banded together for benefit concerts and radio marathons to raise funds for the relief effort, and with extraordinary results.
06/04/2013 | Comments 0

Progress in Color — Get Well

It’s been a long, bumpy ride for Glenpool’s Progress in Color, which saw a record deal with Epic evaporate before even one record could come of it, but it’s led the outfit to where it was supposed to be.
06/04/2013 | Comments 0
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Music

Oh, Deer!


Deerpeople may have been born out of boredom, but its live shows provide anything but.

Joshua Boydston July 27th, 2011  

Deerpeople with Junebug Spade
9 p.m. Friday
Opolis
113 N. Crawford, Norman
opolis.org, 820-0951
$8

Stillwater’s Deerpeople is most certainly a breed of its very own.

Formed in 2009, the indie-rock group may recall bits and pieces of other bands — Modest Mouse’s untamed feel, Arcade Fire’s grandiosity, The Flaming Lips’ general chaos and weirdness — but the music is its own beast.

Deerpeople’s stomping grounds seem to play the biggest part in that invention.

“I don’t think we ever set out to do something different,” band leader Brennan Barnes said. “Because of the unfortunate situation you are in, being in a small town like Stillwater, you sort of mold your music into its own, weird thing. That’s why no one here sounds the same. It’s about that isolation, I think ... it brings creativity.”

Added drummer Jordan Bayhylle, “It’s very boring in Stillwater. Most of the time you hang out, go to school then go to work. We wanted to do something that wasn’t a waste of time, and it became, I guess, liked by people.”

The band became an Oklahoma artist to watch on the heels of its self-titled, debut EP. Their sweeping, fiery anthems have become local favorites, whether they believe it or not.

“I’m actually not totally convinced that people do really like us,” Bayhylle said.

Added Barnes, “I think people just want to come see a crazy show and dance.”

The stage spectacle Deerpeople perfected is something to remember; exploits have included a puppet octopus, Power Rangers-esque masks and, of course, papier-mâché deer heads.

“I love costumes, always have,” Barnes said. “It separates us from the music that’s coming out. It’s made the anxiety go away; the bigger the shows have gotten, the more I want to be dressed up and the crazier I want it to be.”

Adding to the energy is the sheer number of people onstage at a given time. Excluding extraneous stage performers, Deerpeople sports six members. Before it became the strength it is today, it could be a hindrance.

“It was a problem in the beginning, trying not to muck things up,” Bayhylle said. “Now we’ve kind of got our roles down.”

The band recently took to recording a follow-up EP, “EXPLOORRGASSSMM,” to be released this fall. Instead of refining the edges of the members’ debut, this sophomore effort will do the opposite: uncoiling themselves even more in hopes of moving still closer to the wilder, scrappier animal of the act they’d like to be.

“We wanted a sense of recklessness that we didn’t really achieve on that first one,” Barnes said. “It’s such a delicate balance between sounding audibly appealing and having a sense of urgency, and I think we are finding that. I’m happier with this one because of how crazy, raw and nasty it is — how like us it is.”

Photo by Doug Schwarz.

 
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