Monday 28 Jul
 
 

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Friday-Saturday
Downtown Tulsa 
centeroftheuniversefestival.com 
$35-$50 

07/22/2014 | Comments 0

Mack truckin’

Swizzymack
9 p.m. Friday 
Kamp’s Lounge 
1310 NW 25th St. 
lndrnrs.com 
819-6004 
$10-$15 

07/23/2014 | Comments 0

Chevy cruisin’

Chevy Woods with Kevin Gates & more
9 p.m. Sunday 
Vibe Night Club 
227 SW 25th St. 
$20-$40 

07/16/2014 | Comments 0

Rock steady

Tesla
7 p.m. Saturday
Frontier City
11501 N. Interstate 35 Service Road 
frontiercity.com
478-2140
Free with park admission 

07/16/2014 | Comments 0
Home · Articles · Reviews · Folk · Jackie-O Motherf***er — Earth...
Folk
 

Jackie-O Motherf***er — Earth Sound System


Earth to Jackie-O: Do you read me? No? OK, then.

Matt Carney August 5th, 2011

Naming your band Jackie-O Motherfucker is the titling equivalent of purchasing a license to record whatever the hell music you want, as far as I and the Americana-experimentin’ Portland indie collective are concerned.

jackieomotherfuckerearthsoundsystem

They’re kindred spirits to Waka Flocka Flame in that sense. And that sense only.

But enough teasing about Jackie-O’s name. Let’s tease them for recording a patience-trying album.

Earth Sound System” contains a pair of tracks — one exactly seven minutes and eight seconds in length, and one sitting right at nine and a half — that might not even be music. They’re titled “Raga Joining” and “Raga Separating,” respectively, and are both experimental droners that don’t sound anything like … well, anything, really. They sound like what your typical layperson probably thought the inside of computers sounded like in 1987: lots of offbeat clicks and whirrs, and percussion instruments that bands often think are really funny.

The album marks a pretty stark difference from 1995 when the collective — it’s hard to call them a band when they’ve had more than 40 members over the years, only one of them constant — started out as a freeform jazz outfit. Their sound’s pretty clearly evolved into a rustic, psych-folk-type thing. Lots of finger-picking on the guitar that nicely comfits around Tom Greenwood’s dreary singing, which is basically an earthier, less-British take on Jason Pierce of Spiritualized. It’s lovely and comforting, like a big, sloppy St. Bernard licking at your face.

With this formula, “In the Willows” and “Dedication” both redeem the album’s title, but not “Earth Sound System” as a whole. It’s too spaced-out to be saved. —Matt Carney

 
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