Tuesday 21 May
 
 

God bless metal

Becoming the Archetype with Bermuda, The Burial, Horror Cosmic and Veil of Suffering
6 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12-$14
05/15/2013 | Comments 0

Here for the party

Gretchen Wilson with Outlaw Son
6 p.m. Thursday
Newcastle Casino
2457 U.S. 62, Newcastle
mynewcastlecasino.com
387-6013
free
05/15/2013 | Comments 0

Bright stripes

Tiger High with Cosmonauts and The Garden
10 p.m. Monday
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$5
05/15/2013 | Comments 0

Reverb brotherhood

Basile Benefit Bash with The True Believers, The Fortune Tellers, The Reverb Brothers, DJ Jon Mooneyham and more
9 p.m. Friday-Saturday
VZD’s Restaurant & Club
4200 N. Western
vzds.com
524-4203
$20 Friday, $10 Saturday
05/15/2013 | Comments 0

Back to basics

O Fidelis with Chelsey Cope
9 p.m. Thursday
Wormy Dog Saloon
311 E. Sheridan
wormydog.com
601-6276
free
05/08/2013 | Comments 0
Home · Articles · CDs · Indie · Small Sur — Tones
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Small Sur — Tones


Doing more with less.

Matt Carney August 8th, 2011

Baltimore, Md. is so very rich with quality music right now. Bands like Beach House, Wye Oak and Animal Collective (AC relocated to NYC, but some of their first media coverage came from Baltimore City Paper) have established themselves as national-caliber indie acts with large-scale sounds to boot.

smallsurtones

Small Sur sounds nothing like any of these bands. Literally, nothing. They’ll probably never achieve the same level of notoriety, which is very sad. They’ve recorded the most beautiful, lovely slowcore folk music these ears have ever heard, but unfortunately, that particular sub-genre isn’t in high demand among audiences much larger than what could fill an upscale living room.

Tones” is as lovely an exercise in hushed, sparse production and small-detail storytelling as you’ll find these days. Each song sets an intimate scene that would belong at home in a literary novel. “Meet me under trees / Golden canopy,” Bob Keal whispers amid his and Andy Abelow’s rich guitar and horn arrangements. “How I Love You” tells a grown-up romance in as few words as “babies teething.”

Keal’s songwriting comes through in traditional poetic devices, most typified in “Three Haiku,” a sad, autumn plodder that features a flute and the lyrics “I cannot find you.” True to its title, the album sets a tone and allows the listener room to imagine his or her own story within it.

Doing more with less. Few are telling more developed, personal and intimate stories than Small Sur are right now. —Matt Carney

 
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