Wednesday 19 Jun
 
 

Ninja III: The Domination

Don't ask why Ninja III: The Domination begins with a ninja assault on a municipal golf course. Just be grateful it does. You also may wonder why its sex scene employs a can of V8: Don't question it. Just lie back and enjoy it.
06/14/2013 | Comments 0

Lifeforce

Tobe Hooper got a raw deal. The director of horror hits The Texas Chain Saw Massacre and Poltergeist didn't deserve to be sent to movie jail for 1985's Lifeforce. It's a well-crafted, well-intentioned work that was mismarketed and misunderstood, losing a bundle of money and soon sending Hooper into the lands of episodic television and direct-to-video features.
06/14/2013 | Comments 0

Dead Souls

With Dead Souls, we can prove something about the Chiller cable network's original features that Remains could not: Source material is not to blame for their pervasive generic nature — it's the economy, stupid.
06/11/2013 | Comments 0

The Philadelphia Experiment

There's a theory about remakes that perhaps Hollywood should stop remaking good movies and instead remake the bad ones, so that they may be improved. The problem with that theory is one runs the risk of the remake being bad, too. Case in point: The Philadelphia Experiment.
06/12/2013 | Comments 0

Hansel & Gretel: Witch Hunters

A few surprising things about Hansel & Gretel: Witch Hunters:
• It comes from MTV Films,
• is produced by Will Ferrell,
• and is as fun as its title is dumb.
06/11/2013 | Comments 0
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Science Fiction

Rise of the Planet of the Apes


Chimps ahoy!

Rod Lott August 10th, 2011

Say what you will about Tim Burton’s widely despised 2001 remake of “Planet of the Apes,” but if it hadn't made serious bank, this prequel would not exist.

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And that would be a bad thing, because “Rise of the Planet of the Apes” hoses off any stink Burton left behind. It’s one of the year’s nicest surprises.

An origin story to the sci-fi franchise that began on the big screen in 1968, “Rise” draws upon story elements of 1972’s “Conquest of the Planet of the Apes” (entry No. 4 for those as geeky as I), depicting how the baby monkey dubbed Caesar came to unite all gorillas, chimps and orangutans to overthrow the humans who have oppressed them.

It’s the fault, if unintended, of a scientist (James Franco, “127 Hours”) just trying to cure the Alzheimer’s eating away at the memories of his father (John Lithgow, TV’s “Dexter”). Science has to test on animals first for safety, and Caesar is the guinea pig — er, monkey — who experiences remarkable intelligence.
Too much brilliance, eventually leading to “Rise”’s bravura climax, an extended sequence in which Caesar’s assembled armies invade San Francisco by way of the Golden Gate Bridge. Director Rupert Wyatt (“The Escapist”) stages this with pulse-raising tension, made possible by incredible special effects. The apes you see raising Cain are CGI, with the most remarkable being Caesar, in a startling motion-capture performance by Andy Serkis (“King Kong”). 

Consider how far the series has come: The original film earned an Oscar for its breakthrough makeup that turned men into monkeys. Now, no simian suits are needed, letting computers do the work. It’s the appeal of the “Apes” concept that stays unchanged.
 
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