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Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0
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Music

Good grief


When life gives you lemons, you make lemonade. For Ryan Lawson, that means music that’s sweet, not sour.

Joshua Boydston August 17th, 2011  

Ryan Lawson with Black Canyon and Blue Valley Farmer
9 p.m. Friday
VZD’s Restaurant & Club
4200 N. Western
vzds.com
524-4203
$5

It used to be easy to imagine singer/ songwriter Ryan Lawson as a Charlie Brown type: sweet and sincere, but always a little melancholy with life dumping on him at the worst moments. Naturally, that fed into his music, but as things have turned around, he’s smiling a whole lot more.

“A lot of people make fun of the fact that a lot of my songs are sad. It’s pretty depressing topics, I guess, but you can only go with the sad-sack thing for so long, though, and I think I’ve beat that dead horse enough,” Lawson said. “At the time, I was writing the more depressing stuff, that’s how I felt. Now, I’ve kind of changed. I don’t feel that way much anymore.”

He has plenty of reasons to be happy. Lawson is one of the best and brightest Oklahoma musicians surging at the moment. It was a struggle to get there, however.

The Choctaw-based performer started playing gigs around the time he started college, but things weren’t moving as fast as he thought he deserved. “I was playing a lot of shows, but had an attitude about it,” Lawson said. “I was expecting people to come to me to ask to do shows. That was hubris on my part. When it didn’t happen, I got really discouraged and decided I was just going to quit playing live. I took a break for a long time.”

I’ve beat that dead horse enough.

—Ryan Lawson

Although he never quit writing, he stopped performing for several years. Then he noticed how hard local musicians he admired (Ali Harter, Samantha Crain and others) worked to get where they were and to stay there.

“I realized, a) how stupid it was of me to quit in the first place, and b) to have thought that I was good enough for people to be coming to me like that,” Lawson said. “All the people I looked at that didn’t give up like I did, I knew they put in their time and I didn’t. I committed myself to working as hard as they do. That’s what I did, and I’m still doing it to this day.”

It’s certainly paid off. The last year has seen a major boom in his popularity around the metro, including winning an Oklahoma Gazette Woody Award for Best Emerging Artist.

He’s currently eyeing his third release in two years, a countrified effort that stretches him past his singer/songwriter roots. It’s Lawson’s most upbeat work to date, showcasing home-state pride.

“I like to represent. I’d like to believe my music has an Oklahoma sound to it,” he said. “It would be nice if one day, people hear one of my songs and go, ‘That’s Oklahoma music.’”

 
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