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Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
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Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0
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Music

Taking aim


Its members may keep falling, but Handguns keeps shooting its brand of pop punk to targeted audiences.

Joshua Boydston August 17th, 2011  

Handguns with The American Scene
6 p.m. Friday
Brass Bell Studios
2500 N.W. 33rd
facebook.com/brassbellstudios
361-3481
$8

To say this has been a trying summer for Pennsylvania punk band Handguns would be an understatement.

“Touring has been total hell,” said founder and guitarist Jake Langley. “My singer quit, our drummer quit, we got a new drummer, he quit, and somehow, we are still here. I don’t know. We have had to find a singer, three new drummers and a new van, but we’ve gotten by.”

For all the behind-the-scenes disasters, the shows themselves have gone quite well, thanks. The group, whose take on pop-flavored punk falls somewhere between Taking Back Sunday and New Found Glory, has found itself in between road stints and dates on the Warped Tour, the Holy Grail for bands of this sort.

That’s the most Langley could have hoped for when he quit his day job to start Handguns in 2008.

“The job I got just made me miserable. It all came to a head, and I knew I couldn’t do that job shit anymore,” he said. “I knew I had to do this.”

It was never a matter of not wanting to work hard. Langley puts in long hours to ensure progress; despite numerous lineup changes even before this tumultuous summer, Handguns has managed to put out two, seven-song EPs in as many years between relentless tour schedules. At least the writing part came easy.

Somehow, we are still here.
—Jake Langley

“Bands who wait five years between recordings, that’s annoying,” Langley said. “Maybe it’ll be harder when we record a full-length, but we’ve never had no ideas; it hasn’t happened yet.”

Handguns are hesitant to try and take advantage of each passing hot sound of the moment to speed its advancement. Arguably, its brand of pop punk saw its heyday nearly a decade ago, but equal parts nostalgia and fondness keep them plugging away at it.

“Trends are going to come and go,” Langley said. “As long as you are playing what you want to play, people will recognize.”

The group seems resilient in its fight for survival, come hell or high water.

“For me, this is the only thing I’m good at, even kind of good at,” Langley said. “I’m sure at some point, I’ll be done with this and start selling fireworks out of a shed on the side of the road in Nebraska, but for now, I’ve got this. Going home is never in my mind. It’s keep going. It’s always keep going.”

 
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