Tuesday 22 Jul

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
Home · Articles · Music · Music · Soundcheck: The Prids

Soundcheck: The Prids

Matt Carney August 17th, 2011

The Prids survived more social shake-ups than most families. Fifteen years, a handful of city-to-city moves, a marriage and a divorce ago, there were just David Frederickson and Mistina La Fave, who started making music together in a little corner of Missouri.

The pair wound up in Portland, Ore., in 1999, where they started recording a certain subconsciously subterranean, guitar-driven music with catchy, but still literary lines sung boy-girl. And don’t forget the special ingredient: just the right amount of distortion.

Last year’s “Chronosynclastic” draws all this musical influence in and emotes it over 15 years’ worth of life experience. Frederickson said on the band’s website that it’s thematically concerned with the passage of time. Don’t confuse that with nostalgia, however; The Prids are far more than worn-out rockers. “I’ll Wait” is four and a half minutes about embracing what’s undesirable about yourself and sharing it with another. Few musicians ever reach that depth of emotional security.

At 8 p.m. Friday, The Prids bring their romantic, shoegazey brand of indie rock to The Conservatory, 8911 N. Western. Also appearing are Crown Imperial and Walking Relic; tickets are $7. For more information, visit conservatoryokc.com. Best bring a date. —Matt Carney

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