Monday 20 May
 
 

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0

Texas Chainsaw

One of the most inconsistent franchises in movie history is the one beget by Tobe Hooper's 1974 classic, The Texas Chain Saw Massacre. How does one follow all those less-than-beloved sequels? Lionsgate's latest in the series — the seventh — has a solution: Ignore 'em.
05/17/2013 | Comments 0

Captain America: Collector’s Edition

Not long after Batman changed Hollywood in the summer of 1989, every studio wanted to have the next comics-based blockbuster. I remember visiting Penn Square Mall’s multiplex (as I did often back then) and seeing a poster for Captain America. The one-sheet was comprised of little more than a close-up of Cap’s iconic shield and a promise to arrive next summer.
05/16/2013 | Comments 0

Dark Circles

With the Broken Lizard comedy troupe becoming increasingly broken, member Paul Soter has branched off to write and direct something about as far away as one can get from the likes of Super Troopers and Beerfest: a horror film. Now that I've seen it, I'm thinking maybe he should stay on his own.
05/16/2013 | Comments 0

Die! Die! My Darling!

File 1965's Die! Die! My Darling! under that now-dead subgenre dubbed "Grande Dame Guignol." The Hammer Films production may lack the dueling duo of two twilight-era titans of Whatever Happened to Baby Jane? and the others, but truth be told, Tallulah Bankhead is fierce enough to provide all the fire it needs.
05/14/2013 | Comments 0
Home · Articles · Movies · Drama · One Day
Drama

One Day


Phil Bacharach August 17th, 2011  

“One Day” turns on a gimmick, chronicling the tumultuous, on-again/ off-again romance of two people by dropping in on them the same date — July 15 — each year. It’s a clever device, if not enough to disguise the fact that otherwise, this tearjerker is as old-fashioned as they come.

Familiarity is hardly a negative in melodrama, however, where its very predictability can be as comforting as a favorite blanket. “One Day,” which opens Friday, understands the role it plays, but it’s smarter and more polished than many of its ilk — and it soars on the appeal of its leads.

Adapted by David Nicholls from his best-selling novel, “One Day” follows Emma (Anne Hathaway, “Love and Other Drugs”) and Dexter (Jim Sturgess, “21”). We begin in 1988 as the two, drunk and having just graduated from college in Scotland, hook up for a somewhat shaky one-night stand.

So begins a friendship that endures in spite of pronounced differences. Emma is idealistic, but insecure and vulnerable. She drifts from waitressing to teaching, and falls into a relationship with a would-be comedian (Rafe Spall, “Hot Fuzz”), the requisite nice guy who’s wrong for her. Dex is charming, but callow and arrogant; he becomes a TV dance-party host who lets fame go to his head.

These are archetypes, of course, but “One Day” is so deftly executed, from Rachel Portman’s lush musical score to Benoît Delhomme’s sundappled cinematography, you just might forget that you’ve seen this all before. And director Lone Scherfig (“An Education”) wisely gives her top-notch cast plenty of berth.

 
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