Saturday 25 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Slim start


Americana fighter Langhorne Slim’s ready to step up, both musically and financially.

Chris Parker August 17th, 2011  

Langhorne Slim with The Donkeys and Ryan Lawson
113 N. Crawford, Norman
820-0951
opolis.org 
$8 advance, $10 door

Turning 30 is an exciting time. You get more serious about your work. Maybe settle down romantically. And in the case of Langhorne Slim, you start paying rent.

Yes, the Americana singer/songwriter managed to make it through his 20s without paying any rent, until recently relocating to Portland, Ore.

“It sounds really cool now ... but I was just trying to make this thing happen,” said Slim, né Sean Scolnick. “So it was lucky I ran into enough people that have couches.”

Obviously, it’s a much easier feat if you’re on the road nine months a year, as Slim has been the past half-dozen years since forming his band.

Before that, he toured solo, beginning his senior year at the Conservatory of Music at Purchase College. He’s thankful to have graduated, since he spent less time in class than your typical high school senior.

“I was extremely fortunate that the teachers I had viewed that as ‘what this guy wants to do with his life,’ and saw it was sort of an education, instead of sitting in class trying to figure out what the heck was going on,” said Slim.

Slim has been home-recording and self-releasing music since the late ’90s, with a brief stay at V2 Records in the mid ’00s, until the major label went under. His latest album, 2009’s “Be Set Free,” is much richer than his prior folk-blues output. Although the arrangements are much fuller, enriched with a variety of sonic and instrumental touches, Slim continues to prefer a rather artless directness that abets the songs’ emotional immediacy.

I ran into enough people that have couches.
—Langhorne Slim

“To some people I’ve kept it too simple,” Slim said. “But the artists I’m most drawn to use a more straightforward approach based more on the raw emotion rather than complex lyrics.”

To replicate this bigger sound live, Slim’s band numbers four members.

“You’re always trying to keep things fresh and breathe new life into them,” he said. “When you’re doing this for your life, you have to consider ways to continue to grow and make it exciting.”

Slim’s written more songs for his forthcoming album than he’s ever written before heading into the studio: at least 60. He’s expecting it to be his rawest disc to date.

“Something is brewing, and I’m very musically excited right now,” Slim said. “I don’t know if it happens because you turn an age, or you are conditioned to feel like you need to get your shit together more. But definitely in my life, I feel like instead of watching it pass by and hoping for the best, I have more ability to control my own destiny.”

 
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