Wednesday 23 Jul
 
 

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
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Slim start


Americana fighter Langhorne Slim’s ready to step up, both musically and financially.

Chris Parker August 17th, 2011

Langhorne Slim with The Donkeys and Ryan Lawson
113 N. Crawford, Norman
820-0951
opolis.org 
$8 advance, $10 door

Turning 30 is an exciting time. You get more serious about your work. Maybe settle down romantically. And in the case of Langhorne Slim, you start paying rent.

Yes, the Americana singer/songwriter managed to make it through his 20s without paying any rent, until recently relocating to Portland, Ore.

“It sounds really cool now ... but I was just trying to make this thing happen,” said Slim, né Sean Scolnick. “So it was lucky I ran into enough people that have couches.”

Obviously, it’s a much easier feat if you’re on the road nine months a year, as Slim has been the past half-dozen years since forming his band.

Before that, he toured solo, beginning his senior year at the Conservatory of Music at Purchase College. He’s thankful to have graduated, since he spent less time in class than your typical high school senior.

“I was extremely fortunate that the teachers I had viewed that as ‘what this guy wants to do with his life,’ and saw it was sort of an education, instead of sitting in class trying to figure out what the heck was going on,” said Slim.

Slim has been home-recording and self-releasing music since the late ’90s, with a brief stay at V2 Records in the mid ’00s, until the major label went under. His latest album, 2009’s “Be Set Free,” is much richer than his prior folk-blues output. Although the arrangements are much fuller, enriched with a variety of sonic and instrumental touches, Slim continues to prefer a rather artless directness that abets the songs’ emotional immediacy.

I ran into enough people that have couches.
—Langhorne Slim

“To some people I’ve kept it too simple,” Slim said. “But the artists I’m most drawn to use a more straightforward approach based more on the raw emotion rather than complex lyrics.”

To replicate this bigger sound live, Slim’s band numbers four members.

“You’re always trying to keep things fresh and breathe new life into them,” he said. “When you’re doing this for your life, you have to consider ways to continue to grow and make it exciting.”

Slim’s written more songs for his forthcoming album than he’s ever written before heading into the studio: at least 60. He’s expecting it to be his rawest disc to date.

“Something is brewing, and I’m very musically excited right now,” Slim said. “I don’t know if it happens because you turn an age, or you are conditioned to feel like you need to get your shit together more. But definitely in my life, I feel like instead of watching it pass by and hoping for the best, I have more ability to control my own destiny.”

 
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