Thursday 17 Apr
 
 

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
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Divided no more


Do the math: The reunion of ’90s Red Dirt ramblers The Great Divide should add up to one stellar show.

Matt Carney August 24th, 2011

College Days with The Great Divide, Cold War Kids, Colourmusic and more
Thursday-Saturday
Tumbleweed Dance Hall
West Lakeview and Country Club Roads, Stillwater
calffry.com
$29-$110

After years of dealing in the music business and playing with The Great Divide left him jaded, ornery Red Dirt musician Mike McClure is happy with his freedom. So why’s the band getting back together to headline at Stillwater’s College Days?

“Money and whores,” he said with a wiseass chortle. “Naw, I honestly thought that I wouldn’t have done it because bands breakin’ up like that, it’s rough. It was friends and it impacted everybody and it was just a rough drag. It took us this long to get past it.”

After releasing two independently produced records in the mid-’90s, the Stillwater-born Great Divide got scooped up by Atlantic Records, which subsequently re-released their second album, 1998’s “Break in the Storm,” as its major-label debut. The Jimmy Buffet-style “Pour Me a Vacation,” a pop-country single about boozing in paradise, cracked Billboard’s Hot Country Songs chart.

Lead singer McClure left the band in 2003, after years of chafing against popular expectations.

I’m a horrible entertainer.
—Mike McClure

“Whatever ingredient it is for mass appeal is what ultimately chips away at somebody,” he said. “I hate entertaining people. I’m a horrible entertainer.” The Great Divide continued with out him for a while before folding for good. Thanks to Wormy Dog managing partner Ronnye Farmer making the arrangements, Friday night will be the band’s first public performance under its original lineup in nearly a decade. It will be recorded live for a CD and DVD release.

McClure said they’ve been rehearsing properly, but a few fences required mending first.

“I asked the guys if they’d even entertain the thought of sitting in the same room as me,” he said.

Soon, all was well, and they began tuning up their instruments again.

“We know enough to go out and wing it. Hell, the band never was a bunch of virtuosos. It’s not like it’s a bunch of complicated shit,” he said.

Now 40, McClure tools around as a Red Dirt producer, working with his friend C.P. Sparkman as 598 Recordings, and more notably for five albums by Cross Canadian Ragweed. He’s also been playing much of his own material around the region as The Mike McClure Band, a decidedly more rock ’n’ roll-oriented act than The Great Divide ever was. After years spent onstage and in the music biz, he isn’t too worried about this weekend.

“I don’t mind train wrecks onstage.

I’ve survived so many,” he said. “If we left with them booing and throwing eggshells, it’d be funny.”

 
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