Power Pyramid doesn’t have much patience for nonsense. That appears to be the takeaway from the Oklahoma City quintet’s last 10 months, which brought The God Drums in September, the Insomnia EP in January and its latest, self-titled effort in July.
The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.
And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
Mister Heavenly with Waters and Seth McCarroll 9 P.M. Sunday Opolis 113 N. Crawford, Norman opolis.org 820-0951 $10 advance, $12 door
What’s a better way to draw attention to your band than nabbing George Michael to play bass? No, not the one from Wham!, but “Scott Pilgrim vs. the World” actor Michael Cera.
Cera — who played a character named George Michael in TV’s “Arrested Development” — is actually a skilled bassist, and singer/guitarist Nick Thorburn of indie supergroup Mister Heavenly saw him as the perfect solution to the gaping hole in its early lineup while supporting Passion Pit and playing South by Southwest.
“We just asked him. We needed a bass player, and he’s a friend and exceptional musician,” Thorburn said. “It might have been a little sensational at first, but I think when the music started, I think that’s where the attention went.”
The mere existence of Mister Heavenly was probably more than sensational enough by indie rock’s modest standards. Coming from acts including Islands, The Unicorns, Man Man, Modest Mouse and The Shins, Mister’s members hatched the simple idea of a quick collaboration. What resulted was something much more.
“We were just mutual admirers of each other’s work,” Thorburn said. “We found a window to make some music together, and it was a really enjoyable process. We just kept going with it. There weren’t many expectations when we started; what resulted was an album and a record deal. That was just a pleasant aftereffect.”
Combined decades of experience bore a certain brazenness to the band and its music, even coining a new subgenre — doom-wop — before even writing a song.
“That was our starting point. That name came before anything else,” Thorburn said. “We needed direction ... something to set the tone. We wanted to establish, and even invent a sound. We’re very aware that’s not how you go about it, but that’s how it ends up happening from time to time. It’s a piss-take, but we did want some ground rules.”
Working in tribal rhythms and an ear for melodies, the result is a oneof-a-kind sound arguably as good as or better than any of the members’ groups. The band currently is celebrating its debut album, “Out of Love,” released last week.
“I’m glad we followed through.
It’s nice when you have an idea to do something with someone, and you can see it through fruition,” Thorburn said. “A lot of times, that casual conversation is an idea but never goes anywhere. We wanted to see this come to life.”
The quality of what’s come out so far has demanded fair dues be paid by each of the guys, who are more than willing to put in the work.
“It’s tricky. We definitely have to do more planning and scheduling, but it’s good. It breaks up the monotony,” Thorburn said. “We are basically living this polyamorous lifestyle, musically speaking. We can stick our dick in another hole, if you will.”
Click below to check out a slideshow of Mister Heavenly's performance at 35 Conferette in Denton, Tex. last spring.