RLJ Entertainment's new Blu-ray for No Holds Barred begins with what seems like dozens of trailers for movies starring pro wrestlers from the WWE talent pool. Each flick went direct to home video, but once upon a time — aka 1989 — one had to go to the multiplex to catch such a spectacle.
In 2008, the third act of the guy comedy Role Models used LARPing — live-action role-playing, that is — as a backdrop for our protagonists' lessons learned. Today, Knights of Badassdom extends that half-hour into a full feature, to the point where viewers are left not smiling, but exhausted.
Not everything on television has to appeal to mass audiences. In fact, with the further fractioning of viewership thanks to alternatives like Netflix and VOD, more series can afford to become more niche. Here are five examples of shows both past and present — and new to DVD and/or Blu-ray — that encompass some of the more outrageous ideas ever to go beyond boardroom discussion.
Seventeen years after slaying 10 women and getting away with it, the charismatic serial killer Du-sok (Park Si-hoo) comes clean with a Confession of Murder, in this 2012 South Korean crime thriller. He does so by publishing a book that dishes all the grisly details.
In general, I prefer the films of Guillermo del Toro that he doesn’t
direct (“The Orphanage,” “Splice”) to the ones he does (particularly
“Hellboy” and its sequel). That holds true for “Don’t Be Afraid of the
Dark,” which he only co-wrote and co-produced, ceding the director’s
chair to newcomer Troy Nixey.
But let’s give credit where credit is due: This is a remake of a fondly remembered, made-for-TV movie in 1973. Although effects have come a long, long way, baby, I still prefer the original.
Living underneath the new-to-them Rhode Island mansion of architect Alex (Guy Pearce, “Animal Kingdom”); interior-designer girlfriend Kim (Katie Holmes, TV’s “The Kennedys”); and his daughter, Sally (Bailee Madison, “Just Go with It”), are demons. Little, hairy demons who live for hundreds of years and crave children’s teeth.
In its first half, the movie is sufficiently creepy, holding two good jolts (albeit due to the increasingly lazy practice of really loud sounds on the soundtrack). But plot holes as large as the house keep it from being this season’s “Insidious.” To reveal minor but ultimately insignificant spoilers, at no time does Sally, who’s the only person — still alive, at least — to see these creatures, demand that adults look at her proof. She takes Polaroids of them she could shove into her father’s face, but doesn’t; she even kills one by smashing it between two bookshelves, yet fails to inform the room crowded with adults of the resulting mess, much less the disembodied appendage on the floor in front of them.
I also could have done without its drawn-out, pointless epilogue, thus neutering the balls of its climax. So toothless does it become that its title continually reminded me of Edgar Wright’s hilarious fake trailer, “Don’t!,” stuffed in the middle of “Grindhouse.”
The lone victor of the experience is young Madison. Now all of 11, she gives quite a grown-up performance, free of the amateurish tics of most child actors. But I was also distracted by how much she looks like Holmes, yet isn’t playing Holmes’ daughter. The resemblance is uncanny; that it’s yet another “duh” moment that del Toro and company missed is baffling. —Rod Lott