Wednesday 16 Apr

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
Home · Articles · Music · Music · Hey! Dodo this

Hey! Dodo this

Their namesake may be extinct, but indie act The Dodos have a long-term plan for sticking around. It involves saying ‘no.’

Becky Carman August 31st, 2011

The Dodos with The Luyas and Deerpeople

6:30 p.m. Wednesday
Oklahoma Memorial Union
900 Asp, Norman


When The Dodos’ Meric Long sings for “a means to conjure you up,” he isn’t referring to the San Francisco indie-rock act’s long-extinct namesake. It’s possible “Good,” off this year’s “No Color,” is an open letter to the elusive sound he and bandmate Logan Kroeber have been looking for since their 2005 inception.

“The closest we got to it was on the last record, but it was just a certain quality of sound that comes out of heavy drums and acoustic guitar when they’re together,” Long said. “When they’re playing at the same time and recorded the right way, they produce a thing that we have in our minds that we can’t exactly reproduce because of the difficulties of engineering and recording. It’s not a natural sound. The sound we’re going for is really cheating what’s organically possible.”

The attempts are percussion-heavy with, in Long’s words, the drums grasping at a semblance of what’s happening in the band’s other half: “If you’re playing the acoustic guitar in the style that I do, which is pretty aggressive, if you were to put your head inside the sound hole of the acoustic guitar, what would you hear?” Hear their interpretation when they play a free show tonight on the University of Oklahoma campus. Seize the opportunity while you can, however; their hectic schedule for the last few years is slowly tapering off, and their success has taught them a hard lesson about working musicianship.

We’ve just become more snobby.
—Meric Long

“In 2008, when things started to pick up for us, we were super-busy. There were so many things coming in that we had to pretty much drop everything and tour the entire year,” Long said. “We’ve gotten older and are trying to plan out our years a little better. Having another year like 2008 — I don’t think we’re ready for that.”

Their brief fall jaunt likely will end with The Dodos back home in the Bay Area, flexing creative muscles instead of racking up miles. Long said their recording style has become “more stand still-ish” of late, with him laying demos to tape instead of working the songs out live and playing them the same night onstage, due to constant touring.

“The way we wrote songs before was very much off-the-cuff; we’d write something and then play it that night,” he said. “Now, we’re slowing down and trying to find new ways to write. Just finding a different way to write a song is a thing we’ve had to try to do to keep ourselves interested and excited about making music.”

Perhaps The Dodos have figured out how not to go the way of the dodo.

“Given our age and our health and our mental insanity — or sanity, I mean! — we’ve had to learn how to say ‘no’ to things and be more careful about what we do,” Long said. “We’ve just become more snobby, I guess.”

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