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Power Pyramid - The God Drums

Power Pyramid doesn’t have much patience for nonsense. That appears to be the takeaway from the Oklahoma City quintet’s last 10 months, which brought The God Drums in September, the Insomnia EP in January and its latest, self-titled effort in July.

07/29/2014 | Comments 0

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0
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Soundcheck: 'This Machine'


OCCJ adopts the message of Oklahoma's greatest folk singer to fight injustice.

Matt Carney August 31st, 2011

Woody Guthrie didn’t die in 1967.

Well, yeah, he did. But his legacy carries on well after Huntington’s disease claimed his body on Oct. 3, 1967, and not just in the folk genre he mastered. His legacy is one that was hell-bent on tearing down authoritarianism and replacing it with tolerance and understanding.

“Woody was a social conscience as much as he was a musician, songwriter or poet,” said Russ Florence, who’s helped to coordinate the “This Machine” public service project for the Oklahoma Center for Community and Justice. “The music was the vehicle to tell a broader story and speak on behalf of people overlooked/left out.”

These days, the OCCJ has picked up where Guthrie left off by incorporating many of Oklahoma’s best musicians with photographers, web designers, video producers and media professionals to produce a series of public service announcements. The music provides the muscle in the organization’s never-ending fight against bias, bigotry and racism.

“It’s definitely a grassroots movement,” Florence said. “All the people involved in this effort see the need for this message to be delivered to Oklahomans.”

While stylistically different, each artist’s message and painted guitar is clearly rooted in Guthrie’s vow that “This Machine Kills Fascists.”

Last year, the campaign produced concerts, ads, a website and a social media campaign. Keep your eyes open for a couple of TV spots premiering this month to mark the campaign’s re-launch. For more information, visit occjrocks.com. —Matt Carney

 
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