Tuesday 22 Jul
 
 

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
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Growing fangs


Once lackadaisical about performing, The Copperheads now strike to sink venomous punk straight into audiences’ veins.

Joshua Boydston August 31st, 2011

The Copperheads with Turbo Fruits and The Boom Bang
8 P.M. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$7

Oklahoma City’s The Copperheads have dozens of crazy shows under their belt, but they aren’t usually directly involved in the chaos.

They aren’t necessarily wooden performers, but are far from the most animated. They usually take the stage — perhaps with cigarettes curled in their lips, beers on the amps — plug in and play with no frills attached. Despite the somewhat stoic stage presence, the crowd nearly always goes wild, dancing and moshing, drinking and hollering, generally having the time of their lives.

The fun fails to stop at the last note; a night with The Copperheads is as much about the after-party as it is about the show.

“I guess we have a little bit of a reputation,” guitarist Dane Kitchens said. “That’s pretty much what music is for, though: the party afterwards. We always like to have a good time, hang out with our friends, watch other bands play and drink a little bit. Then we just continue that fun later.”

The Copperheads are quickly transforming from hard-partying slackers to up-and-comers; the band was never treated as a joke, but peg a lack of self-confidence — and a dash of practicality — to the four-piece not being as aggressive about pursuing shows and the like.

“We weren’t taking it very seriously,” Kitchens said. “Honestly, we felt like we were never going to be huge, so why not just have a good time? Even still, that’s what it’s about, but we are doing things bigger than we ever thought we would.”

Finding a sound has helped The Copperheads become all the more dangerous. Discovering the now-defunct blues-punk group The Gun Club sparked a shift from roaring riffs to a sweaty, blues-rock undercurrent that recalls The Black Lips and Ty Segall. The new skin suits them better.

“I don’t think we were consciously trying to pull the blues card, but garage rock was based around the blues. I think it’s just becoming a by-product of our interest in that,” Kitchens said. “That rawness, the swagger ... it’s kind of impossible not to want to replicate.”

Songs in that vein will find their way onto an upcoming, split-vinyl 7-inch with buddy band The Boom Bang within the year, with another record shortly thereafter. The vinyl release is a dream come true for Kitchens and crew.

“I listen to vinyl all the time, and music like this, it just feels a lot more real on vinyl,” he said. “I would have never thought we’d get to hold something we did in our hands like we will with this.”

For now, The Copperheads await Saturday’s show at The Conservatory. Things are certainly getting bigger and better, and they plan on acknowledging that. “It’s awesome that we’ve been getting shows like this,” he said. “We’ll definitely be celebrating afterwards.”

Photo by Doug Schwarz

 
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