Wednesday 23 Jul

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
Home · Articles · Music · Music · Emmanuel forever

Emmanuel forever

Tommy Emmanuel has picked his way from Australia to the realm of guitar greats, one finger at a time.

Joshua Boydston September 7th, 2011

Tommy Emmanuel
7:30 p.m. Wednesday, Sept. 14
Nancy O’Brian Center for the Performing Art
1809 Stubbeman, Norman

Almost 10 years to the day, Australian guitarist Tommy Emmanuel still remembers almost every detail of a show he played in Oklahoma City.

“Right after 9/11, I came through, and it was one of my first shows of the tour. Everyone was still pretty numb,” Emmanuel said. “I found some poetry about America, and I read it to the audience while a friend played ‘America the Beautiful’ on the guitar. I remember that it kind of broke the spell, the chains of what had happened. It was such a big outpouring of emotion, and I’ll never forget that night.”

That’s really saying something, being that the two-time Grammy nominee seemingly has a lifetime of potentially unforgettable moments. With nearly 20 albums to his name, the internationally renowned musician has played with the best of them: Eric Clapton, Chet Atkins and Les Paul, to name a few. His precise, fingerpicking style is unparalleled, and he’s only getting better.

“The harder you work, the more dedicated you are to it,” he said. “Good things keep coming to you.”

His biggest thrills come from being onstage.

“You can only practice so much behind closed doors,” Emmanuel said. “There’s nothing like playing for an audience; it’s the best feeling I know.”

I don’t think like a normal guitar player.
—Tommy Emmanuel

He’s touring as relentlessly and extensively now as he did 30-some-odd years back. The biggest difference now is his increased reliance on his old acoustic guitar, which, for a guitar player of his magnitude, offers a world of possibilities beyond its electric counterpart. His solo show sounds like more than just one guy, with his finger patterns opening up rhythmic, harmonic and percussive elements all at the same time.

“It’s all about state of mind. I don’t think like a normal guitar player,” Emmanuel said. “I’m trying to pull rabbits out of the hat to give people a good time, and it helps focus people in. I try to draw the crowd in and give them a good time.”

Emmanuel is currently touring in support of a greatest-hits album that coincides with the launch of a trio of websites that not only promote his music, but also stream instructional videos and more. But for all the things he’s done, he had never attempted a Christmas record. That’s about to be checked off the list, however, with a disc dedicated to the season lighting up this November.

“It was great to have a little Christmas cheer in the middle of the year,” he said. “We decorated the studio with lights and such, and this was the first week of July. It was really lovely.”

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