Wednesday 30 Jul

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday


113 N. Crawford Ave., Norman



07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.



07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Downtown Tulsa 

07/22/2014 | Comments 0
Home · Articles · Reviews · Indie · Wilco – The Whole Love

Wilco – The Whole Love

Wilco’s relevant again!

Matt Carney September 6th, 2011

As far as Wilco albums go, 1999’s “Summerteeth” and 2004’s “A Ghost Is Born,” are two of the band’s most beloved, but rarely by the same fans. The former, the group’s third full-length, is a joyful romp of Americana indie rock and pop, bubbling along on a turgid undercurrent of relational struggle, drug abuse and loneliness.


The latter eschews much of that melody for a grittier rock and prog sound, and a wider thematic range, lyrically. Linking the two is the band’s universally beloved and critically lauded 2002 opus, “Yankee Hotel Foxtrot,” but, save for Jeff Tweedy’s most devout, wide-eyed followers, few find themselves with an equal appreciation for both albums.

It seems strange then that they’d synthesize the two with their eighth studio recording, “The Whole Love,” which sounds comprehensive and whole, despite boasting songs that could well belong with either record.

It’s also probably the happiest-sounding disc the band’s ever recorded, which is a sweet relief for Tweedy fans who feared the worst when he went to rehab in 2004 and suffered through his mother’s death, which much of the lyrics on 2007’s “Sky Blue Sky” concerns. Tweedy’s long been capable of singing sweetly (here, on the album’s title track and the sunshiney, “Summerteeth”-esque “Dawned on Me”), but it is remarkable and relieving to hear it for the majority of the record.

Watch Jeff Tweedy play a solo version of "Dawned on Me" for St. Louis Magazine.

Album opener “The Art of Almost” is one of those hypnotic, coda-driving Krautrock songs the act first toyed with on “A Ghost Is Born” — see: “Spiders (Kidsmoke)” and “Bull Black Nova” from “Wilco (The Album)” — and I think it’s the best such song they’ve ever put to track.

John Stirrat — with Tweedy, the lone remaining founding member — holds down a gnarled, thriving low end, while Nels Cline finally hits full stride recording with the rest of the band, now on his third album. Cline also contributes a terrific guitar melody to “Born Alone,” which nicely syncs up with Glenn Kotche’s cymbal-heavy drumbeat for another “Summerteeth” song.

Another standout, “Standing O,” is basically an Elvis Costello track, and just as much fun as anything he ever set a buzzing organ behind. With Tweedy’s always-nuanced vocals, this album’s only going to sound better with additional listens. —Matt Carney

  • Currently 3.5/5 Stars.
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