Thursday 10 Jul

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0

Kyle Reid & the Low Swinging Chariots - “When I Was Young”

Every artist should be the star of their own creative life, which makes Kyle Reid’s steps out of the shadows of the many ensembles and supporting roles he has played in Oklahoma bands over the years to front and center on stage feel like a just journey.
06/17/2014 | Comments 0
Home · Articles · Music · Music · Indie legend Dinosaur Jr. returns...

Indie legend Dinosaur Jr. returns from extinction

Phil Bacharach December 6th, 2007

J Mascis, the lead singer/guitarist of the seminal post-punk band Dinosaur Jr. — set to play The Conservatory on Sunday — is renowned for his guitar virtuosity, distinctively laconic vocals and songs of wounded alienation. His reputation as an interview subject, however, is another story.


Mascis' responses tend to be of the clipped, yes-or-no variety. He mumbles a lot, and the pauses between words could fill canyons. If he didn't happen to be one of the most gifted and unique artists in rock music, it would be damned annoying.

"I don't like (interviews) especially," he said. Pause. "Phone interviews are harder." Long pause. "It just depends."

The slacker voice doesn't match the music. As the driving force behind Dinosaur Jr., Joseph Donald Mascis has produced some of the fiercest, loudest and most passionate rock 'n' roll since Chuck Berry picked up a Gibson.

The band's signature sound, a blend of distortion-heavy guitars and disaffected lyrics, presaged much of the Nineties' alt-rock scene. And in a post-punk milieu that scoffed at such things, Mascis helped make guitar solos cool again.

The trio's combustible mix of personalities, however, fueled constant drama. In the end, the three members barely spoke to one another. But time heals all wounds.

"It's like a family," Mascis said. "You don't pick your family, and you might not get along with them sometimes."

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