Friday 24 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Indie legend Dinosaur Jr. returns from extinction


Phil Bacharach December 6th, 2007

J Mascis, the lead singer/guitarist of the seminal post-punk band Dinosaur Jr. " set to play The Conservatory on Sunday " is renowned for his guitar virtuosity, distinctively laconic vocals and songs ...

dinosaurjr

J Mascis, the lead singer/guitarist of the seminal post-punk band Dinosaur Jr. " set to play The Conservatory on Sunday " is renowned for his guitar virtuosity, distinctively laconic vocals and songs of wounded alienation. His reputation as an interview subject, however, is another story.

Mascis' responses tend to be of the clipped, yes-or-no variety. He mumbles a lot, and the pauses between words could fill canyons. If he didn't happen to be one of the most gifted and unique artists in rock music, it would be damned annoying.

"I don't like (interviews) especially," he said. Pause. "Phone interviews are harder." Long pause. "It just depends."

DRAMA
The slacker voice doesn't match the music. As the driving force behind Dinosaur Jr., Joseph Donald Mascis has produced some of the fiercest, loudest and most passionate rock 'n' roll since Chuck Berry picked up a Gibson.

The band's signature sound, a blend of distortion-heavy guitars and disaffected lyrics, presaged much of the Nineties' alt-rock scene. And in a post-punk milieu that scoffed at such things, Mascis helped make guitar solos cool again.

The trio's combustible mix of personalities, however, fueled constant drama. In the end, the three members barely spoke to one another. But time heals all wounds.

"It's like a family," Mascis said. "You don't pick your family, and you might not get along with them sometimes." "Phil Bacharach

 

 
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