Friday 25 Jul

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
Home · Articles · Music · Music · Indie legend Dinosaur Jr. returns...

Indie legend Dinosaur Jr. returns from extinction

Phil Bacharach December 6th, 2007

J Mascis, the lead singer/guitarist of the seminal post-punk band Dinosaur Jr. — set to play The Conservatory on Sunday — is renowned for his guitar virtuosity, distinctively laconic vocals and songs of wounded alienation. His reputation as an interview subject, however, is another story.


Mascis' responses tend to be of the clipped, yes-or-no variety. He mumbles a lot, and the pauses between words could fill canyons. If he didn't happen to be one of the most gifted and unique artists in rock music, it would be damned annoying.

"I don't like (interviews) especially," he said. Pause. "Phone interviews are harder." Long pause. "It just depends."

The slacker voice doesn't match the music. As the driving force behind Dinosaur Jr., Joseph Donald Mascis has produced some of the fiercest, loudest and most passionate rock 'n' roll since Chuck Berry picked up a Gibson.

The band's signature sound, a blend of distortion-heavy guitars and disaffected lyrics, presaged much of the Nineties' alt-rock scene. And in a post-punk milieu that scoffed at such things, Mascis helped make guitar solos cool again.

The trio's combustible mix of personalities, however, fueled constant drama. In the end, the three members barely spoke to one another. But time heals all wounds.

"It's like a family," Mascis said. "You don't pick your family, and you might not get along with them sometimes."

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