Friday 18 Apr
 
 

Odyssey of the mind

Jacob Fred Jazz Odyssey 

with Culture Cinematic and ADDverse Effects

9 p.m. Friday

Twisted Root Gallery

3012 N. Walker Ave.

twistedrootgallery.com

208-4288

$10

04/16/2014 | Comments 0

Frndz with benefits

Boyfrndz with Bored Wax and The Hitt Boyz

9 p.m. Sunday

Blue Note Lounge

2408 N. Robinson Ave.

thebluenotelounge.com

600-1166

$5

04/16/2014 | Comments 0

Saddle up

Horse Thief with Deerpeople and Pageantry

8:30 p.m. Friday

ACM@UCO Performance Lab

329 E. Sheridan Ave.

acm-uco.com

974-4700

$5-$8

04/16/2014 | Comments 0

High heaven

Glow God with Weed, Feral Future and Power Pyramid

7 p.m. Friday

Capitol House

$5

04/09/2014 | Comments 0

Darkened tones

Chevelle with Nothing More and Middle Class Rut

6:30 p.m. Monday

Diamond Ballroom

8001 S. Eastern Ave.

diamondballroom.net

677-9169

$24-$29

04/09/2014 | Comments 0
Home · Articles · CDs · Indie · WU LYF – Go Tell Fire to the...
Indie
 

WU LYF – Go Tell Fire to the Mountain


Indie-rock with a voice that’s certainly … memorable.

Matt Carney September 13th, 2011

It’s rare for a debut album’s two most distinct features to conflict so aggressively, and for a band to command them with as much confidence as does WU LYF. This really is an impressive freshman effort, one that commands your attention for its nearly 50 minutes, spread out thick over 10 songs.

wulyfgotellfiretothemountain

Those two distinct features are the mixture of organ with soft guitar notes and the guttural, unnatural vocal grunts that they’re set behind. With the album’s well-timed pacing and all the shout-along choruses, “Go Tell Fire To The Mountain” is easily one of the best, most cathartic surprises in indie rock this year.

Not a whole heck of a lot is currently known about the World Unite Lucifer Youth Foundation except that they have an awesome name; are from Manchester, UK; have a Tumblr full of collaged cut-out images, photos and posters from the road; and that they seem to lyrically promote simple messages using poor diction.

I think the last of these is a device for focusing on the feel of shouting along with their choruses, which are especially powerful on “Bros” and “Heavy Pop,” the latter of which is a tag the band seems to be using to promote itself. I’m not sure I agree completely, but the emotional heft of these songs does seem massive, and they do show off pop conventions with their clear love of choruses, however indecipherable.



And speaking of that freaky vocal grunting, here’s a brief list of other sounds that Ellery James Roberts, Thomas David Francis McClung and Evans Kati remind me of when they all open up their throats together:

• Tom Waits.

• All of the individual little vocal tics in “Gloria,” that make it sound like Patti Smith’s trying really hard to gross you out.

• The parts of Kings of Leon songs when Caleb Followill sputters something especially sexually explicit (see:  “Soft” from “Aha Shake Heartbreak”).

A few other notes: “Dirt” is an especially aggressive, rhythmic number, the beginning of which reminds me very much of Oklahoma City’s Colourmusic. Drummer Joseph Louis Harlan Manning could, at times, very well be Keith Moon, reincarnate. And one of these songs will probably be on my year-end Top 10 list, but I’m not sure which yet. It’s music that’s bizarre, but meaningful — the kind of thing you want to go share with somebody else immediately. Maybe that’s what the title is supposed to convey? –Matt Carney 

 
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