Friday 18 Apr

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
Home · Articles · Music · Music · Giants’ success

Giants’ success

Alt-rock vets They Might Be Giants ensure endurance by borrowing a page from Big Tobacco: Hook ’em while they’re young.

Matt Carney September 21st, 2011

They Might Be Giants with Jonathan Coulton
7 p.m. Sunday
Cain’s Ballroom
423 N. Main, Tulsa
$23 advance, $26 door

You’d think sharing a band with a guy for nearly 30 years would cement the foundation of your relationship. Of course, when your band happens to be Brooklyn’s often-silly and offbeat, usually sweet and affecting They Might Be Giants, you can’t take each other’s words too seriously.

According to the band's Twitter feed, this show has been postponed due to family emergency.

“I think if somebody wanted to turn us against each other, they could probably plant some weird seeds,” John Linnell said. “How do you break up a band? I guess you tell one guy the other guy’s holding you back. If somebody could convince both of us that was true, we’d probably be at each others’ throats.”

The idea is absurd, but so is the idea that songs about famous Belgian painters, the 11th president of the United States and the physical makeup of the sun wouldn’t just be considered listenable, but beloved cult tunes, even used in schools as learning aids.

The latter phenomenon sparked TMBG’s second generation, who first heard their songs in elementary classrooms or on the animated “Tiny Toon Adventures,” where “Istanbul (Not Constantinople)” and “Particle Man” both appeared after debuting on the group’s 1990 quirk classic, “Flood”.

Now both fathers in their early 50s, Linnell and John Flansburgh also appealed to children directly by recording a trio of full-lengths between 2005 and 2009 with titles like “Here Come the ABCs.”

“Now that we’re fully aware of it, we should probably just set up a recruiting center to figure out how to get them in kindergarten,” Linnell said.

While amused by schoolteacher’s repurposing of TMBG tracks, Linnell sounds downright perplexed when people try to value them as high art. There’s a scene in the 2003 documentary “Gigantic (A Tale of Two Johns)” wherein people read their lyrics as if they were poetry.

“It was such a weird experience of our own work,” he said. “I don’t know what to say beyond it. Maybe it’s because the attitude they have when they’re reading it is so serious and that’s not the way I feel about what we do.”

With songs that wriggle their way into listeners’ hearts, TMBG has inspired bizarre fan art. It speaks to the endearment of their songwriting, which, with all its idiosyncrasies, also appeals to the unusual.

“There are these realist portraits of me and John, and those are the most fucked-up looking of all,” he said. “They really mess around with our self-image. Seeing yourselves drawn that way really makes you want to go lie down in a dark room with a washcloth on your head. They’re heartfelt, but they’re sort of wrong.”

Read more about John Linnell at OKSee, Gazette's music blog.

Photo by Shervin Lainez

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