Thursday 24 Jul

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
Home · Articles · Music · Music · Giants’ success

Giants’ success

Alt-rock vets They Might Be Giants ensure endurance by borrowing a page from Big Tobacco: Hook ’em while they’re young.

Matt Carney September 21st, 2011

They Might Be Giants with Jonathan Coulton
7 p.m. Sunday
Cain’s Ballroom
423 N. Main, Tulsa
$23 advance, $26 door

You’d think sharing a band with a guy for nearly 30 years would cement the foundation of your relationship. Of course, when your band happens to be Brooklyn’s often-silly and offbeat, usually sweet and affecting They Might Be Giants, you can’t take each other’s words too seriously.

According to the band's Twitter feed, this show has been postponed due to family emergency.

“I think if somebody wanted to turn us against each other, they could probably plant some weird seeds,” John Linnell said. “How do you break up a band? I guess you tell one guy the other guy’s holding you back. If somebody could convince both of us that was true, we’d probably be at each others’ throats.”

The idea is absurd, but so is the idea that songs about famous Belgian painters, the 11th president of the United States and the physical makeup of the sun wouldn’t just be considered listenable, but beloved cult tunes, even used in schools as learning aids.

The latter phenomenon sparked TMBG’s second generation, who first heard their songs in elementary classrooms or on the animated “Tiny Toon Adventures,” where “Istanbul (Not Constantinople)” and “Particle Man” both appeared after debuting on the group’s 1990 quirk classic, “Flood”.

Now both fathers in their early 50s, Linnell and John Flansburgh also appealed to children directly by recording a trio of full-lengths between 2005 and 2009 with titles like “Here Come the ABCs.”

“Now that we’re fully aware of it, we should probably just set up a recruiting center to figure out how to get them in kindergarten,” Linnell said.

While amused by schoolteacher’s repurposing of TMBG tracks, Linnell sounds downright perplexed when people try to value them as high art. There’s a scene in the 2003 documentary “Gigantic (A Tale of Two Johns)” wherein people read their lyrics as if they were poetry.

“It was such a weird experience of our own work,” he said. “I don’t know what to say beyond it. Maybe it’s because the attitude they have when they’re reading it is so serious and that’s not the way I feel about what we do.”

With songs that wriggle their way into listeners’ hearts, TMBG has inspired bizarre fan art. It speaks to the endearment of their songwriting, which, with all its idiosyncrasies, also appeals to the unusual.

“There are these realist portraits of me and John, and those are the most fucked-up looking of all,” he said. “They really mess around with our self-image. Seeing yourselves drawn that way really makes you want to go lie down in a dark room with a washcloth on your head. They’re heartfelt, but they’re sort of wrong.”

Read more about John Linnell at OKSee, Gazette's music blog.

Photo by Shervin Lainez

  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5