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Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
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Soundcheck: Modern Rock Diaries - Great Western Civilization


Budding local indie band aims high with their debut EP.

Matt Carney September 21st, 2011

A lot of local bands could learn a lesson or two from songwriter Brantley Cowan and his new band, Modern Rock Diaries. There hasn’t been an album bigger and more ambitious than “Great Western Civilization” in a long while. It’s the sound of an act aiming for regional and national success, not just hoping for it.

In keeping with indie fashion, MRD employs a lot of full-band singing (both to harmonize and for choruses) to bolster their vocals, as well as a female violin player, Angela Allen, and some catchy synth melodies, à la Cut Copy.

But I think that Cowan’s rigid voice and lyrics (think not-so-dirty Caleb Followill of Kings of Leon) land the band in more of a modern alt-rock category. For example, see the lyrics of “19th Century New Indie Romance”: “Gonna live forever / We ain’t never gonna stop.”


Either way, it’s good stuff. Norman’s Blackwatch Studios producer Jarod Evans lends his abilities to the group, three-fourths of which hold music degrees from in-state schools. How’s that for local?

MRD next will play a Sept. 29 set at Kamp’s Deli & Market, 1310 N.W. 25th. In the meantime, snag “Great Western Civilization” for $5 at modernrockdiaries.bandcamp.com. —Matt Carney

 
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