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What a Rausch


On display in Norman, the prints of Robert Rauschenberg contributed greatly to the history of American modern art.

Rod Lott September 28th, 2011

ROBERT RAUSCHENBERG: PRINTS FROM UNIVERSAL LIMITED ART EDITIONS, 1962-2008
6 P.M. FRIDAY THROUGH DEC. 30
FRED JONES JR. MUSEUM OF ART
555 ELM, NORMAN
OU.EDU/FJJMA
325-3272

A star of the 20th century’s neo-Dada movement, Robert Rauschenberg worked in many media, but his prints are the focus of a new exhibition at the Fred Jones Jr. Museum of Art in Norman. It opens Friday night with a free, public reception.

No matter the medium, the man was a groundbreaker, according to Mark White, museum curator.

“He was among a handful of cultural figures that experimented with performances and installations that incorporated elements previously thought to be the exclusive province of dance, music or art,” he said. “At the same time, he refused to place limits on the materials he incorporated in his work, so he began to use refuse, ephemera and cast-offs as elements in his painting and sculpture. These materials referenced everyday life in the United States and took some of the preciousness out of fine art.”

Rauschenberg’s breaking of rules helped pave the way for the Pop art explosion of the 1960s, White said. The artist passed away in 2008.

 
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