Wednesday 22 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Wylde thing


Zakk Wylde makes everything heavy, from metal to hot sauce to beef jerky. But mostly metal, via Black Label Society.

Joshua Boydston October 5th, 2011  

Black Label Society with Texas Hippie Coalition and Anti-Mortem
7 p.m. Friday
Diamond Ballroom
8001 S. Eastern
diamondballroom.net
677-9169
$27.50 advance, $29 door

Few people can claim Ozzy Osbourne as the godfather to their child.

Guitar icon Zakk Wylde might be the only one; the 44-year-old leader of Black Label Society and ex-Osbourne guitarist resides in the upper echelon of the metal gods, even if he laughs at the very idea of being voted one.

“It’s hysterical. Sure, I play metal and while I’m lifting weights, I’ll listen to Meshuggah or Ministry, but after shows, rolling on the bus, I listen to Elton John, The Eagles, Neil Young, Crowded House and Fleetwood Mac,” Wylde said. “You hang around long enough, you win by default. They have to hand you the championship trophy, after all the other teams got food poisoning and can’t make the game.”

He could have rested on the laurels of years spent supporting Osbourne. However, in 1998, he opted to form his own band, Black Label Society. He played with Osbourne until 2009 before focusing his full effort on his passion project.

“If guitar playing was all I wanted to do, that would have been the ultimate gig,” Wylde said. “Now, instead of Derek Jeter, I’m George Steinbrenner. I own the team, I pick the uniforms, I make the draft choices and do the free agency. I have my hand in everything, and that’s awesome. It’s not a pain in the ass, because I love doing it.”

Black Label Society released its ninth studio album, “The Song Remains Not the Same,” this summer, and now Wylde is prepping to unveil his latest project, a book titled “Bringing Metal to the Children,” in March. The tome of all things metal — which he described as “Seinfeld on steroids” — includes tips and tricks to being in a metal band, as well as some crazy stories from the likes of Rob Zombie, Eddie Van Halen, Stone Cold Steve Austin and, of course, Osbourne.

“It’s like me and you sitting in a bar getting hammered, and I tell you all the stupid, ridiculous stories,” he said. “We were crying-laughing as we wrote the book. It’s beyond stupid; it’s awesome. I wish I was making that stuff up.”

In the interim, Wylde is working on other Black Label ventures, like his own Berserker hot sauce, coffee, beef jerky and beer, as well as a live DVD featuring a string section and anything else he can put his godly fingers on.

“If you can get involved and out and branch into other things, that’s fun to do,” he said, “but the music is what it all comes back to. Everything is about the band.”

Photo by Patrick McBride

 
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